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Double bill with the synthesised sound environments of Italian sound artist Nicola Ratti's *Automatic Popular Music* and a performance by Cara Tolmie whose work with *internal singing* and the *displaced vocal body* probes the site-specific conditions of performance-making.NICOLA RATTI
Nicola Ratti is a multifaceted musician and sound designer who has been active for years in various experimental fields. His sound production creates systems that take shape from repetition and dilation, with particular attention to the construction of environments that gravitate in relation to the space and architecture we inhabit and balancing the emotional and perceptive orientations to which we are accustomed.
Born in Milan in 1978, he has performed solo or in other groups in Europe, North America, Russia and Japan and his albums have been published by various international labels. As a musician he has collaborative projects such as Bellows with Giuseppe Ielasi, NR / MA with Masato Egashira, What We Do When in Silence with Alessandra Novaga and Enrico Malatesta, Superpaesaggio with Malatesta and Attila Faravelli.
CARA TOLMIE
Cara Tolmie’s practice exists within the intersections of performance, music and moving image. Her works probe the site-specific conditions of performance-making by finding ways to vocalise and place her body that access the political and poetic capabilities of physical written and musical languages.
She collaborates regularly as ULAPAARC with Paul Abbott, as a quartet with Will Holder / Paul Abbott / Seymour Wright, in collective vocal group DRANG and on artistic research projects *Gender of Sound* with Susanna Jablonski and *The Glossary of the Event* with Frida Sandström and Aleksei Borisionok. She is also part of the editorial collective for *Cesura//Acceso* Journal.
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Event Venue & Nearby Stays
Fylkingen, Gröna Stugans Väg 2,Stockholm, Sweden
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