Name: Maya de Vitry at The Parlor Room
Start: 2024-11-03T20:30:00-04:00
Location: The Parlor Room

Maya de Vitry
at The Parlor Room
Sunday, November 3rd
SHOW: 7:30pm / DOORS: 7:00pm
ADV TIX:
$20 GA / $18 MEMBERS
TIX HERE: https://theparlorroom.my.salesforce-sites.com/ticket/#/events/a0SV5000001WfQrMAK
Nashville-based artist, songwriter, and producer Maya de Vitry is enjoying some hard-won creative flourishing."I’m not just making different music now. It feels like I'm breathing in a different atmosphere," she says, reflecting on her evolution from acclaimed roots-Americana band The Stray Birds to her current solo journey. Produced by Maya de Vitry and mixed byGrammy-award winning engineer Justin Francis (Madison Cunningham),The Only Moment(outJuly 12, 2024) is de Vitry’s 4th full-length record and is an unabashed blend of indie folk, indie rock, and indie pop, with elements of Americana and alt-country.Originally from Lancaster, PA, de Vitry’s 2019 debut Adaptations earned accolades fromRolling Stone Country, NPR Music, and No Depression and she has since attracted an organic and devoted following on the strength of her recordings and her live performances. She sings with a magnetic and hard-won sense of purpose that has landed her support tours in NorthAmerica and Europe for artists like The Wood Brothers, Aoife O’Donovan, John Craigie, and Mighty Poplar. Her songwriting appears on albums by Molly Tuttle, Lindsay Lou, Bronwyn Keith-Hynes, and Steve Poltz, and her versatility as a multi-instrumentalist and harmony singer has enriched numerous Nashville projects.Despite her seemingly vigorous creative pace, the recording process for The Only Moment was unhurried. “It’s like I was making a long-exposure photograph, but with music,” she explains, having left the metaphorical shutter open for nearly three years to allow the songs themselves the opportunity to breathe. “I completely shelved this record for months at a time, on several occasions,” she recalls. “Each time I came back to it, I heard new possibilities. In today’s music industry, there’s pressure to share our process or turn it into ‘content’. But I treasured keeping this record to myself and slow-cooking these songs on the back burner.” The resulting album is a refreshing testament to the generative simmering that underpins periods of reinvention and growth.