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Marissa Nadler+ Innerwoud
13.11.2022 • Kantine am Berghain
Einlass: 19:00 || Beginn: 20:00
VVK: 22,00€, zzgl. Gebühren
Tickets: https://www.greyzone-tickets.de/produkte/639
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MARISSA NADLER
Over the course of nearly 20 tireless years of writing, recording, and touring, Marissa Nadler has amassed one of the most singular catalogs in contemporary music. Her work glides between delicate folk, windswept Americana, doom metal-adjacent darkness, meditative ambient music, and fearlessly experimental sounds, all anchored in her unmistakable singing voice and finger-style guitar.
Shortly after finishing her Masters degree at the Rhode Island School of Design in Providence, Nadler released her first proper full-length album, the ethereal Ballads of Living and Dying, in2004. Though she was initially associated with the indie-folk movement, Nadler soon distinguished herself with her willingness to go darker and more personal, writing songs that felt deeply intimate with solitude and heartbreak while still retaining an otherworldly sheen. If she was born a century earlier, it’s not a stretch to imagine that her vast talents would be mistaken for conjured magic.
After a decade of releasing records with various labels and on her own, Nadler joined forces with Sacred Bones Records and Bella Union for 2014’s seismic July. That record marked a kind of reset in Nadler’s career, and the sounds she explored there served as a jumping off point for subsequent modern classics like For My Crimes and her collaboration with Stephen Brodsky, Droneflower — both of which she created the cover art for.
The Path of the Clouds is Nadler’s ninth solo album, and it feels like yet another significant evolution. Two decades into a storied career, there’s still an untapped reservoir of thrilling musical ideas and stirring emotions lurking in her endlessly creative mind.
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INNERWOUD
Innerwoud is a one-man-band by Belgian double bass player and composer Pieter-Jan Van Assche. After playing in several bands, from folk to neoclassical, he started to perform mostly solo, giving the double bass all the available space to speak and sing. The music is often referred to as ambient, drone and neoclassical. Drones are built live upon each other, layering different textures and sounds produced by the double bass. This results in a melancholic trip, wandering in wide open landscapes or craving in anonymous darkness, while the subtle melody shines a humble light on the whole. Innerwoud has released a full album solo (Mirre, 2015), followed by collaborations with Treha Sektori (Grashelm, 2017) and Astrid Stockman (Haven, 2018), wrote music for several dance performances and is now a part of Dance of the Seven Veils: a contemporary opera directed by Aïda Gabriëls, featuring Colin H. Van Eeckhout and many others. In fall 2022 he releases his second full length album Furie, featuring nothing but a double bass. Innerwoud is a Consouling Sounds label artist.
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Event Venue & Nearby Stays
Kantine am Berghain, Am Wriezener Bahnhof,Berlin, Germany
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