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Marie Davidson has always gone against the grain. The French-Canadian producer’s first four albums established her as a transgressive force in dance music, with her 2014 debut Perte d’identité (Loss of identity) laying the foundations of organic electronics and introspective storytelling that she would continue to build upon.Today marks the release of Marie’s latest studio album, City of Clowns, which is a return to the club – but not as you know it. Marie combines her scathing spoken-word delivery with an incessant techno thump, all within a melodic, pop structure that even she believes is a “strange” sonic blend. The sound and the spirit of the album are shaped, too, by the fact that Davidson has a new antagonist. This time it’s not club culture that’s coming for her sense of self, it’s Big Tech.
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SAW Centre, 67 Nicholas St, Ottawa, ON K1N 7B9, Canada,Ottawa, Ontario
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