JJJJJEROME ELLIS

Fri Feb 21 2025 at 08:00 pm to 09:00 pm UTC-06:00

560 Music Center | St. Louis

New Music Circle
Publisher/HostNew Music Circle
JJJJJEROME ELLIS
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2/21: Ellis combines spoken word with ambient and jazz textures; theatrical explorations involving music and storytelling; and video-poems
About this Event

JJJJJerome Ellis

Presented by NMC and Department of Music at Washington University

Friday, February 21st, 2025 | 7pm Doors / 8pm Show
Pillsbury Theatre at 560 Music Center ( 560 Trinity Ave, 63130 / map )

JJJJJerome Ellis – instruments / performance / video



(any pronoun) is a disabled Grenadian-Jamaican-American artist, surfer, and person who stutters. Through music, performance, writing, video, and photography, the artist asks what stuttering can teach us about justice.

Born in 1989 in Groton, Connecticut, USA the artist lives in Norfolk, Virginia, USA with their wife, poet-ecologist Luísa Black Ellis. JJJJJerome dreams of building a sonic bath house! Concepts that organize the artist’s practice include: unknowing, improvisation, inheritance, opacity, prayer, gap, contradiction, aporia, eternity, unpredictability, interruption, and silence. Ellis researches relationships among blackness, disabled speech, divinity, nature, sound, and time. The artist’s body of work includes: contemplative soundscapes using saxophone, flute, dulcimer, electronics, and vocals; scores for plays and podcasts; albums combining spoken word with ambient and jazz textures; theatrical explorations involving live music and storytelling; and music-video-poems that seek to transfigure archival documents.


Their debut album, The Clearing (2021), was called “an astonishing, must-listen project” (The Guardian). It was co-produced by NNA Tapes and The Poetry Project, and it was released with an accompanying book published by Wendy’s Subway. Poet/essayist/playwright Claudia Rankine said of the book: “The Clearing is many things: a lyrical celebration of and inquiry into the intersections of blackness, music, and disabled speech; a restless interrogation of linear time; an intimate portrait of the author’s real-time experience of his stutter; a baptism in syllable and sound; and a manuscript illuminated by The Stutter. At its core, Ellis’ metaphor of the clearing becomes a place of possibility and ‘momentary, transitory, glimpsed liberation.’ They invite us to meet him there.” The Clearing won the 2022 Anna Rabinowitz Prize. The artist has received a Fulbright Fellowship (2015), a United States Artists Fellowship (2022), a Foundation for Contemporary Art Grants to Artists Award (2022), a Creative Capital Grant (2022). The artist has received residencies at MacDowell (2019, 2022), and many other awards and fellowships


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Event Venue & Nearby Stays

560 Music Center, 560 Trinity Avenue, St. Louis, United States

Tickets

USD 12.51 to USD 23.18

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