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Celebrated Midwest and East Coast jazz musicians and creative improvisers Hannah Marks, Michael Malis, and Jonathan Taylor join forces for an inaugural performance at Noce. United by their shared commitment to honoring the jazz lineage while simultaneously taking creative risks, the trio will be performing their original music and compositions by Geri Allen, Dewey Redman, and more.---
Hailing from Des Moines, Hannah Marks is a bassist, composer, and educator living in New York City. She has performed at festivals like the Detroit Jazz Festival, Hyde Park Jazz Festival, 80-35 Music Festival, Iowa City Jazz Festival and Indy Jazz Festival, and currently leads a risk-taking acoustic jazz quartet that features NYC’s most in-demand sidemen.
As a side-woman, Marks has been described as having “a fresh, modern, and original approach to playing the bass” by Marcus Printup. Marks is a member of NEA Jazz Master Dee Dee Bridgewater’s quartet, and has played bass for Geoffrey Keezer, Nasheet Waits, Terri Lyne Carrington, Anna Webber, Miles Okazaki, Ingrid Jensen, Kalia Vandever, Matt Wilson, Ted Nash, Morgan Guerin, Marcus Printup, and Sasha Berliner. Marks’ discography includes playing on Geoffrey Keezer’s Grammy award winning composition “Refuge”, Kristen Lee Sergeant’s Falling with saxophonist Ted Nash, and Heartland Trio’s debut album Year One.
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Michael Malis is a composer, pianist, and music educator based in Detroit, MI. Noted for his “jaw-dropping display of improvisational power” (All About Jazz), Malis is a recipient of Greek America Foundation’s 40 under 40 award. He has taught at the University of Michigan and Interlochen Arts Academy, and is now a Doctoral Candidate at the University of Michigan.
As a pianist, Malis has shared the stage with a diverse array of musicians, including Marcus Belgrave, Jeff “Tain” Watts, Robert Hurst, Gerald Cleaver, Jaribu Shahid, John Lindberg, William Hooker, A. Spencer Barefield, Tyshawn Sorey, Brandee Younger, J.D. Allen, and Marion Hayden. He has performed at the Yokohama Jazz Promenade (Yokohama, Japan), the Kennedy Center, Birdland (NYC), and The Stone (NYC).
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Jonathan Barahal Taylor is a Percussionist, Composer, and Improviser based in Detroit. An avid collaborator, He co-leads a number of diverse projects, Including the art-rock quartet saajtak, Teiku, which reimagines aurally transmitted ancestral Jewish melodies in a Creative Music context, Root Beneath Bones, a solo project for drums and electronics, and Mover, which performs a constantly shifting modular suite of Taylor’s compositions and graphic scores.
Taylor has played with some of the most revered names in Jazz and Creative Music, Including Wadada Leo Smith, John Lindberg, Tomeka Reid, Angelica Sanchez, Dave Liebman, Michael Formanek, Karl Berger, and Jaribu Shahid, and has performed at the DC Jazz Festival, EdgeFest, The Jazz Gallery In New York, the Detroit Jazz Festival, The Toronto Jazz Festival, The International Association of Schools of Jazz Conference in Cape Town, South Africa, and in 2019 toured Japan with the art-rock band Throwaway. He attended the Banff Centre’s International Workshop for Jazz and Creative music under the direction of Vijay Iyer and Tyshawn Sorey in 2013 and 2018, and maintains studies in Tabla and Hindustani Music with Sri Souma Kanti Mukerjee, disciple of the late master of the Benares Gharana, Pt. Chhote Lal Mishra. He is a graduate of the University of Michigan where he earned a BFA in Jazz and Contemplative Studies, studying with Geri Allen, Andrew Bishop, Ellen Rowe, Evan Chambers, Mark Kirschenmann, Michael Gould, Stephen Rush, and Sean Dobbins.
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Event Venue & Nearby Stays
1326 Walnut St, Des Moines, IA, United States, Iowa 50309
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