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Naine kõnnib mööda tänavat. On liiga vara öelda, mis selles loos hiljem juhtuda võib. Ei taust ega esiplaan pole fookuses – pole kahtlustki, et väljas on udune. Tuul puhub sulle juukseid näkku, need jäävad su märja suhu kinni. Sirutad käe välja, et need varrukaga eest ära pühkida. Kuigi mul võiks ju kusagil taskurätik olla. Kas see on ketšupiplekk?Märkan, et mu sokid on täiesti alla rullunud. Näen, et sul on kiire. Sul on kaks raskena tunduvat kotti õlgadel ning su jakk on eest pärani lahti. Pakun, et higistad, aga ei saa selles kindel olla. Vett jagub kõigile. Järsku tunnen, kuidas mu jaki õlapadjad vihma endasse imavad ning ajapikku kahekordseks paisuvad. Minu viga. Ma ei palunud kunagi vabandust. Olen ambitsioonide objekt. Aga esmalt on mul vaja hetkeks pikali visata. Miks need teetööd alati mu krampidega sünkroonis on?
Või oota korra, meil on vaja edasise peale mõelda. Mul on kolm võimalust, aga ükski neist pole tegelikult minu valik. Alustame hääletu aevastusega. Olen sellega kaasnevatest riskidest teadlik. Kõik on äkitselt väga aeglaseks muutunud ning valikute paljusus tühjusesse nihkunud. Samas vahel võib turbulentsi tekkida nagu välk selgest taevast. Selle veetlev vorm pakub sulle parimat kummastki maailmast.
Üks rott paistab tagatänaval ringi uitavat, jäädes keset ülekäigurada mõttesse, aga ma ei taha sellele hetkel liialt tähelepanu pöörata. Teisel pool praokil akent harjutab koor ühte laulu, takerdudes üha uuesti sama salmi juures, samal ajal harmooniat ümber mõtestades. Läheduses karjub katkise tänavavalgusti peale ja ma ei suuda oma hirmu ja uudishimu ohjes hoida. Aga mõne tunni pärast on juba pime. Koosolekul on üks mees, kes on selleks valmistunud nagu stand-up etteasteks. Tema väidetav publik on vaikne, taamal tõmbab keegi vetsus vett peale. Nad ei pannud tähele, mis hetkel ta ilmus, aga nad said samm-sammult teda lahkumas näha.
Samal ajal on mitmed bussid saabunud ja lahkunud. Pagariärid on küpsetamise lõpetanud, pea igas toidupoes on järjekord ning vastastänaval olev aken on ilmselt juba suletud. Sina aga paned soojema jope selga. Mina olen teel koju. Baaridaam vaatab vaikselt leti all uudiseid ja kolm naist kõnnivad baari…
𝐒𝐮𝐧𝐚𝐲𝐚𝐧𝐚 𝐒𝐡𝐞𝐭𝐭𝐲 (IND/DE) on Berliinis tegutsev tantsija, koreograaf ja õpetaja. Tema koreograafiline praktika uurib emotsioonide ajalist olemust: kuidas need tekivad ja käitumist mõjutavad. Ta keskendub oma töös performatiivsete seisundite loomisele, erinevate narratiivide ühendamisele ning publiku ja esineja vahel intiimsete ruumide loomisele. Sunayana on lõpetanud 2018. aastal HZT Berlinis BA Dance, Context, Choreography eriala.
Aastal 2020 kureeris Sunayana koos Aabshaar Wakhlooga AMONG US Platformi, mille eesmärk on tutvustada tantsu ja liikumise rõõmu ning olulisust. Alates 2018. aastast on Sunayana esitanud oma töid nii Berliinis, Kaunases, New Yorgis kui ka Mumbais.
𝐒𝐢𝐠𝐫𝐢𝐝 𝐒𝐚𝐯𝐢 on Berliinis elav Eesti päritolu koreograaf. Ta lõpetas 2015. aastal Viljandi Kultuuriakadeemia koreograafia eriala. Oma töödes eksperimenteerib Savi sümbolistlikku loo jutustamise viisidega, kasutades tihtipeale asjade mōtestamiseks absurdset huumorit.
Ta on oma esimest sooloteost „Imagine There's a Fish” näidanud lisaks erinevatele festivalidele veel Berliinis, Hammerfestis, Glasgow's ... Savi esitas oma teist sooloteost „Pushing Daisies” rahvusvahelisel etenduskunstide festivalil SAAL Biennaal 2019. Ta on esitanud oma teost „not this pillow fight” New Yorgis Panoply Performance Labis ja Berliinis Grüntaler 9-s. Tema koostööteos „COWBODY/ Oh wow, it's you!” Hanna Kritten Tangsooga oli Tanzfabrik Berlin 2023. aasta programmis.
𝐇𝐚𝐧𝐧𝐚 𝐊𝐫𝐢𝐭𝐭𝐞𝐧 𝐓𝐚𝐧𝐠𝐬𝐨𝐨 on Berliinis pesitsev eesti koreograaf ja valguskunstnik. Ta lõpetas 2017. aastal HZT Berlinis BA Dance, Context, Choreography eriala. Alates 2017. aastast töötab ta vabakutselise kunstnikuna valgusdisaini ja tantsu piirimail. Hanna Kritten alustas 2025. aastal magistriõpinguid TU Berliinis Stage design and Scenic space erialal.
Koreograafia, etendamine: Hanna Kritten Tangsoo, Sigrid Savi, Sunayana Shetty
Muusika, helikujundus: Markus Daßau
Lavakujundus: Riin Maide
Valguskujundus: Hanna Kritten Tangsoo
Dramaturgia: Jen Rosenblit
Tekstitugi: Heneliis Notton
Projektijuhtimine: Eneli Järs
Kaasproduktsioon: Kanuti Gildi SAAL, Hanna Kritten Tangsoo, Sigrid Savi, Sunayana Shetty
Toetus: Eesti Kultuurkapital
Kestus: 60'
Inglise keeles
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A woman is walking down the street. It’s still too early to say what’s going to happen later in the story. Neither the background nor foreground is in focus – it’s undoubtedly a foggy day.
The wind blows hair into your face, it gets stuck in your wet mouth. You stretch out your hand and wipe it away with your sleeve. Although I might have a tissue. Is this a ketchup stain?
I notice my socks have rolled completely down. I see you are in a hurry. You have two seemingly heavy bags on your shoulders and your jacket is wide open. I assume you are sweating but I cannot know for sure. There’s plenty of water for everyone. Suddenly I feel the shoulder pads of my jacket absorb all the rain and increasingly double in size over time. My bad. I never said Sorry. I am an object of ambition. But first I need to lie down for a minute. How is construction work always so synced with my cramps?
Or, hang on now, we need to be thinking about the progression. I have three options but none of them is really a choice. Let's start with a quiet sneeze. I'm aware of the risks associated. Everything has suddenly gotten very slow and many possibilities have drifted in the void. Sometimes, though, turbulence can occur out of the blue. Its comfortable shape gives you the best of both worlds.
A rat seems to be wandering around an alleyway, zoning out in the middle of the crosswalk, but I don’t want to pay too much attention to that. On the other side of the slightly open window, a choir is practicing a song, stumbling over a verse again and again while redefining harmony. Someone nearby is yelling at the broken streetlight and you can’t get a hold of your fear and curiosity. In a few hours it will be dark. There's a guy at the meeting who's been preparing for it, as if it were a stand-up set. The alleged audience is timid, someone is flushing the toilet. They missed the moment he appeared, but got a good look at him leaving.
Meanwhile, several buses will have arrived and left. The bakeries have stopped baking, there is a line at every grocery shop and the window across the street will probably be closed. You will be wearing a warmer jacket. I will be on my way home. The bartender will be silently watching the news under the counter and three women will walk into a bar…
𝐒𝐮𝐧𝐚𝐲𝐚𝐧𝐚 𝐒𝐡𝐞𝐭𝐭𝐲 (IND/DE), is a dancer, choreographer and educator based in Berlin. Her choreographic practice looks into the temporal nature of emotions: how they are constructed and inform behavior. She roots her work in building performative states, merging different narratives and creating intimate spaces between the audience and the performer. Sunayana has completed her Bachelor in Dance, Context, Choreography from the HZT Berlin in 2018.
In 2020, Sunayana and Aabshaar Wakhloo co-curated the AMONG US Platform, an initiative to tap into the joy and importance of sharing dance, movement with dancers and non-dancers alike. Since 2018, she has shown her works in venues at Berlin, Lithuania, New York, Mumbai among others. She continues to work as a choreographer/performer with artists across Europe and India.
𝐒𝐢𝐠𝐫𝐢𝐝 𝐒𝐚𝐯𝐢 is a choreographer from Estonia, based in Berlin. She graduated in choreography in Viljandi Culture Academy in 2015. In her works she has been experimenting with ways of symbolistic storytelling, utilizing absurd humor to try and make some sense out of things.
She toured with her first solo piece "Imagine There's a Fish" in Berlin, Hammerfest and Glasgow among many other festivals. Savi presented her second solo piece "Pushing Daisies" at the International Festival of Performing Arts SAAL Biennaal 2019. She has performed her work "not this pillow fight" in New York at Panoply Performance Lab and in Berlin at Grüntaler 9. Her collaboration work "COWBODY/ Oh wow, it's you!" with Hanna Kritten Tangsoo was on Tanzfabrik Berlin 2023 program.
𝐇𝐚𝐧𝐧𝐚 𝐊𝐫𝐢𝐭𝐭𝐞𝐧 𝐓𝐚𝐧𝐠𝐬𝐨𝐨 is an Estonian choreographer and lighting designer based in Berlin, Germany. She graduated from HZT Berlin in 2017 with a BA in Dance, Context, Choreography. Since 2017, she has been working as a freelance artist at the intersection of lighting design and dance. Hanna Kritten began her master's studies in Stage Design and Scenic Space at TU Berlin in 2025.
Choreography, performance: Hanna Kritten Tangsoo, Sigrid Savi, Sunayana Shetty
Music, Sound design: Markus Daßau
Set design: Riin Maide
Lighting design: Hanna Kritten Tangsoo
Dramaturgy: Jen Rosenblit
Text support: Heneliis Notton
Production management: Eneli Järs
Co-produced by: Kanuti Gildi SAAL, Hanna Kritten Tangsoo, Sigrid Savi, Sunayana Shetty
Supported by: Cultural Endowment of Estonia
Duration: 60’
In English
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Event Venue & Nearby Stays
Pikk 20, 10133 Tallinn, Estonia, Pikk 20, Kesklinn, Tallinn, 10133 Harju Maakond, Eesti, Estonia
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