Name: Festival korenite zvočne hoje TO)pot
Start: 2024-09-25T10:00:00+02:00
Location: Cukrarna.art

$Festival korenite zvo\u010dne hoje TO)pot$

Festival korenite zvočne hoje
25. –29. september 2024
Cukrarna in javni prostori
🇬🇧 EN below
Augenmas • a l l j a • Colin Black • Maja Bjelica • beepblip • Nika van Berkel • Tetiana Khoroshun • Maria Magdalena Kozlowska • Rene Markovič • Spiro Mason • OR poiesis • prostori • Irena Pivka • Karmen Ponikvar • Eduardo Raon • rastline • Urša Sekirnik • Jacek Smolicki • Sava šumi • urbane živali • Tea Vidmar • Miloš Vojtěchovský • Brane Zorman • Tery Žeželj
▶︎ PRIJAVA NA DOGODKE: https://pretix.eu/cona/topot2024/
TO)pot, festival zvočnih sprehodov, koncertov in refleksij, povezuje umetnice, teoretičarke, radovedne sprehajalke s prostori in več-kot-človeškimi entitetami, da hojo in poslušanje doživljajo kot prostorsko uresničitev kraja. Hoja kot praksa prizemljevanja, prisluškovanja prostoru in okolju postane korenit poskus upočasnjevanja vsakodnevnega družbenega tempa.
V zgoščenem letnem času, ko se ozračje zbistri in ptice selivke zamenjajo ozemlja, glasni škržati, vse pogostejši prebivalci mesta, umolknejo in rastline vstopijo v zrelo obdobje, festival preko izbranih umetniških del ponuja prisluškovanje urbanim prostorom in potém ter naslavlja njihove veččasovnosti ter tako ponudi možnost utelešenja prostora. Kako živeti-s-prostori, z vsemi vključujočimi bitji in entitetami.
🇬🇧 English
Festival of radical soundwalks
25 – 29 Sep 2024
Cukrarna and public spaces
Augenmas • a l l j a • Colin Black • Maja Bjelica • beepblip • Nika van Berkel • Tetiana Khoroshun • Maria Magdalena Kozlowska • Rene Markovič • Spiro Mason • OR poiesis • Irena Pivka • plants • Karmen Ponikvar • Eduardo Raon • Urša Sekirnik • Jacek Smolicki • spaces • Sava šumi • urban animals • Tea Vidmar • Miloš Vojtěchovský • Brane Zorman • Tery Žeželj
▶︎ REGISTER FOR THE EVENTS: https://pretix.eu/cona/topot2024/
TO)pot, a festival of soundwalks, concerts, and reflections, brings together artists, theorists, and curious walkers to connect with spaces and more-than-human entities, transforming walking and listening into a spatial realisation of location. As a practice of grounding and attuning to the environment, walking becomes a radical attempt to decelerate the everyday pace of life.
Held during a unique time of the year, when the atmosphere clears and migratory birds change territories, the noisy starlings – now common city dwellers – fall silent, and plants enter their mature period. Amidst this backdrop, the festival offers, through selected artworks, a tapping into urban spaces and paths, highlighting their multi-temporality and thus offering the possibility of embodying space. TO)pot encourages a deeper reflection of how to live-with-spaces, encompassing all beings and entities.