About this Event
This 3-session class occurs in 3 separate weeks.
In this class we will be exploring and applying three of the significant art elements utilized in the construction of abstract compositions. Each session provides ample time to explore the many aspects of the element being introduced. Demonstrations by the instructor as well as class critiques of student work will be included.
Session 1: Applying line:
Thin, thick, straight, curved
Creating line to communicate or create compositional subject or meaning
Using line to communicate and/or enhance emotional response (e.g.: playful, anger, sadness, excitement, etc.)
Tools (pencils, charcoal, ink pen, markers, oil stick)
Integrating stencils and mono-printing
Demonstration
Student work & class critique
Session 2: Applying shapes and mark making:
Working with squares, triangles, rectangles, circles
Creating shapes as compositional elements
Understanding shapes and balance in abstract composition
Application of cut-out shapes
Types of mark making and examples
Asemic writing/mark making
Demonstration
Student work & class critique
Session 3: Integrating Collage:
Understanding the genesis of collage as an artistic element of abstract art
Compositional considerations
Applications of collage: adhesives, tools, technique and tools
Examples of collage papers and other materials (e,g, cloth, used canvas, corrugated papers, burlap, etc)
Self -leveling gel and other finishing mediums
Demonstration
Student work & class critique
Suggested Materials:
1. PAINTING SURFACES:
12 x 14 (or larger recommended) canvas or wood panel (recommend back stapled canvas)
Heavy paper - e.g., watercolor paper (Arches 140 or 300 pound recommended)
Sketch Pad - Spiral-bound Aquabee or Canson mixed media sketchbook
This is a high-quality acid-free paper can be used with variety of media and can be painted on.
Choose minimum size 11 x 14”
2. DRAWING ELEMENTS: (sketch) pencils, - Charcoal sticks: both vines and thick/heavy duty
Poska markers, Indian ink (optional)
3. ACRYLIC PAINTS:
Use your own discretion as to your own needs:
I recommend Professional Grade Liquitex tubes, Nova acrylics and Golden products, including Golden fluids.
Suggestions: Cadmium Yellow Light or Medium, Phthalocyanine Blue (green shade), Cadmium Orange, Phthalocyanine Green, Cadmium Red Light (warm red), Ivory Black, Pyrrole Red (cool red, or your preference), Titanium White, Quinacridone Magenta, Ultramarine Blue
Choose additional colors to add to your palette according to your preference: Yellow Oxide (Ochre), Quinacridone Red, Burnt Sienna, Acra Magenta, Burnt Umber, Paynes Gray, Sap Green or Green Gold, Brilliant Blue, Hookers Green, Dioxazine Purple
3. ACRYLIC MEDIUMS:
Matte Medium
Matte gel (medium to heavy recommended)
4. BRUSHES:
Choose a variety of sizes – Larger brushes are better for larger surfaces. Minimum of 3 brushes
Suggested: #2 #3 (round), filbert #5 #6#7, flat #8 or #1; 2” inexpensive flat brush for gesso and varnish
7. OTHER APPLICATION MATERIALS:
- R & F Pigment sticks – assorted colors of your choice (especially recommended are Titanium White and Ivory Black). Purchase at Jerry’s Artarama or on Amazon
8. TOOLS - Important:
Plastic putty spatula (1 1/2-2" ok) One larger one for bigger application is also recommended. (Available at Home Depot, etc.)
Brayer (s) (2" - 3")
Palette knife (various shapes and sizes- plastic are fine)
Miscellaneous:
Scraping and mark-making tools such as old credit cards, chop sticks, 5” Squeegee
9. PALETTE:
Palette Paper in a pad or Freezer paper (comes in a roll, available at the market) is the least expensive and can be cut to size.
MISCELLANEOUS SUPPLIES: plastic gloves, spray bottle – (for water), water container
Pencils – soft; Paper Towels, Masking tape, Scissors
Event Venue & Nearby Stays
Artists Center at the Galen, 72567 Hwy 111, Palm Desert, United States
USD 134.60 to USD 294.20
