Exhibition Opening | "Our Dirty Dishes: Echoes of the Everyday" by Ioana Aron

Thu Sep 04 2025 at 06:00 pm to 09:00 pm UTC-04:00

279 Broome St, New York, NY 10002-3378, United States | New York

Romanian Cultural Institute in New York \/ ICR New York
Publisher/HostRomanian Cultural Institute in New York / ICR New York
Exhibition Opening | "Our Dirty Dishes: Echoes of the Everyday" by Ioana Aron
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In "Our Dirty Dishes: Echoes of the Everyday", artist Ioana Aron (b. 1994, Romania) renders the intimate architecture of modern relationships and their nuances through a towering sculptural installation—a chaotic mountain of plates, pots, and utensils embodying accumulated emotional residue. Centered around a kitchen sink, the installation spills upward and outward—layered, precarious, and quietly overwhelming.
Commissioned by Paired, the world’s leading couples and relationship care app, this exhibition transforms the overlooked landscape of domestic routine into a poetic and pointed meditation on care, communication, and the emotional weight of the everyday. It asks us to consider not only what is built in shared space, but what remains unspoken within it. “The push and pull of two worlds merging into one is often most noticeable through the mundane—dirty dishes left a bit too long, laundry left unfolded. When these moments of friction are left to sit without resolution, partnership suddenly feels very lonely,” says Aly Bullock, Head of Relationships at Paired. “This new sculpture is a reminder to pay attention to those moments and to treat them with care so that this living organism of a relationship can flourish.”
These audio fragments echo throughout the gallery like memory—subtle, unresolved, deeply human.
Marked by subtle gestures and intentional disorder, the work surfaces the quiet frictions that develop over time: the moments when a partner forgets, when a word cuts too deep, when silence grows louder than conversation. It reflects the tenderness of shared responsibilities and the fragility of connection when one person begins to carry more than the other. Here, dishes are intimacy, memory, resentment, and apology. They are the words left unsaid, the turning point no one noticed, the emotional labor that becomes invisible until it isn’t.
Aron’s practice embraces contradiction: mess as both collapse and intimacy, routine as both comfort and burden. Our "Dirty Dishes: Echoes of the Everyday" holds space for that ambivalence. It mirrors how relationships are often shaped not by declarations, but by what is withheld—by the lingering tension after an argument, by the small moments that land too heavily, by the kindness that arrived just in time, or the one that never came.
Integral to the central sculpture is an embedded sound installation, composed of anonymous voice recordings in response to intimate prompts. The following questions, gathered through The Art Vacancy and Paired, ask what lingers long after the words are spoken, or never said at all:
What’s something you never said out loud—but wish your partner had heard? What words stayed with you long after the argument ended? When did silence feel louder than anything that could be said? What made you feel invisible in your relationship? If you could rewrite one conversation, what would you say differently? When did you feel most seen—or most unseen?
Accompanying the central sculpture are select works from Aron’s broader practice—each extending her inquiry into human connection. This includes "Our Dirty Bedroom", a 2023 installation, that similarly excavated the emotional residue of domestic intimacy. Together, the exhibition explores how intimacy is built and unbuilt in the quiet corners of domestic life—through patterns, presence, and absence.
"Our Dirty Dishes: Echoes of the Everyday" is not about resolution. It is about recognition—the way love stretches and recedes in the mundane, the way the smallest moments hold the most weight, and how, in the layered debris of our shared lives, we find both fracture and possibility.
Ioana Aron (b. 1994) is a Romanian visual artist working between Paris, New York, and Bucharest. Her multidisciplinary practice—spanning painting, installation, sculpture, photography, and video—explores the emotional traces left by intimacy, routine, and human connection. Grounded in personal experience, her work draws attention to the quiet weight of everyday life and the tensions that accumulate in shared space.
Her installations and exhibitions have been presented across Europe and internationally in cities including Paris, New York, London, Bucharest, Seoul, and Athens, with institutional presentations at the National Museum of Contemporary Art (MNAC), the Brukenthal National Museum, Art Safari, MNTRplusC (Cave of Forgotten Dreams), and the 2Meta Museum in Slon (A House, A Home solo). In 2025, she presented solo exhibitions in Paris including Ce qui nous relie at Galerie des Artistes and A Body in Cultural Transit with The Art Vacancy. Her installation Dans ma rue received the 2024 Cultural Inact Foundation Prize following its presentation at MNAC and Centrul de Interes (Cluj).
Ioana is the co-founder and editor-in-chief of E T A J Magazine, Romania’s first artist-run art publication. Her artist book "The Field. IL Y A", published by Triade Foundation, is part of the MNAC permanent collection. She completed her PhD in 2024 at the National University of Arts in Bucharest, where her research focused on the relationship between text, image, and embodied knowledge.
Beyond institutional formats, she develops experimental, deeply personal projects—such as "Our Dirty Bedroom" (2023), in which she and her partner at the time lived for three weeks inside their studio as part of an immersive public installation. She is also engaged in interdisciplinary collaborations, including the 2024 video-performance "Blue Facade", created in partnership with musician Elian Zeitel.
Her work continues to challenge and expand the boundaries of contemporary visual culture—revealing, through poetic clarity, what is often left unspoken.
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279 Broome St, New York, NY 10002-3378, United States

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