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Join us at Ecstatic Dance Sacramento as we welcome BROTHA JAG!Ecstatic Dance Sacramento is a vibrant community gathering where we create a substance-free, non-verbal space for intuitive movement, self-expression, and connection. We welcome DJs from around the world to guide us on transformational dance journeys. Our events are open to all ages and offer an alcohol- and substance-free environment, making it an inclusive and safe space for everyone.
Schedule
Doors Open: 7:20 PM
Opening: To be announced (7:30–8:00 PM)
Ecstatic Dance: Set with BROTHA JAG 8:00–10:00 PM
Closing: Sound bath with BROTHA JAG (10:00–10:10 PM)
Important Info
- Payment is $20 at the door (cash or Venmo).
- Doors open at 7:20 PM
- The parking spots around The Clara that are marked as paid parking are now being enforced. Free parking is still free!
About BROTHA JAG:
Brotha Jag (aka Isaac Williams) creates an immersive sonic experience that guides us both deeper into our heart and also wider into a connected and powerfully unified group.
Being not only a DJ and producer, but also a dancer, he knows how to make a body move.
His sets include an insatiable array of sounds and genres, from afro-house to disco, French house to funk, remixed oldies & classics to new original productions and collaborations, and much more.
Brotha Jag plays music for the people. Music that empowers, uplifts, and takes us into realms of feeling through movement. Music that touches something real.
Brotha Jag has played HIgh Vibe Festival, Ecstatic Dance Nevada City, In The House, Ecstatic Dance Midtown-Sacramento, and will soon be performing at ecstatic dance and movement events from Oakland and Las Vegas to Amsterdam and the UK. Through his sonic sculpting and space curation, he supports an emerging community through music & movement events and sets.
Hope to see you on the dance floor!
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Event Venue & Nearby Stays
The Auditorium at CLARA, Auditorium at Clara, 1425 24th St, Sacramento, CA 95816, United States
Concerts, fests, parties, meetups - all the happenings, one place.











