About this Event
Spanish dancer Carmen Dauset "Carmencita" arrived in New York in 1889 and quickly became a sensation in New York society. She was painted by both William Merritt Chase and John Singer Sargeant, and in 1894, she became the first woman and the first dancer to be filmed by Thomas Edison. By the early decades of the 20th century great Spanish and flamenco dancers were performing in the U.S., and some, such as the Cansinos and Aurora Arriaza, settled in the U.S. as teachers and performers. For this Dance Historian Is In, Carlota Santana and K. Meira Goldberg present images and video footage surveying the early years of Spanish dance through the present day.
For more than 10 years, The Dance Historian Is In at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection.
Photo Credit: Carmencita by Aimé Dupont. Jerome Robbins Dance Division, The New York Public Library.
This event will take place online via Zoom as well as in person at The Library for the Performing Arts.
*A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually.
SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff.
STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs.
ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing [email protected].
BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue.
AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library.
PRESS | Please send all press inquiries to Alex Teplitzky at [email protected]. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Event Venue & Nearby Stays
New York Public Library for the Performing Arts -Bruno Walter Auditorium, Enter via 111 Amsterdam Ave. between West 64th and 65th Street, New York, United States
USD 0.00
