CS + Kreme

CS + Kreme are Conrad Standish and Sam Karmel – two Australians who record slow, hallucinatory experimental music. There was a meeting of minds at an intrepid friend’s day-party in Melbourne a few years back, then after one alchemic studio jam – the rest was history.

Over the past few years, CS + Kreme have released a string of disparate records on DIY labels which share their ethos: Total Stasis, Wichelroede and the Trilogy Tapes. The latter collaborations with Will Bankhead have been the most prolific, his label becoming an unofficial home away from home for the duo. Issuing EPs Cold Shoulder in 2018, howwouldyoufeelwithoutthatthought, as well as the Snoopy LP to critical acclaim in 2020.

Snoopy is their most comprehensive body of work to date. It connected deeply with people during the pandemic and polled high in various end of year lists with prominent electronic musical outlets such as Resident Advisor, XLR8R, Crack Magazine and Boomkat who dubbed it: “An absolute treasure of an album – a quietly seductive, deeply romantic and stealthily addictive long-player in the most classic, enduring sense.”

Transcending style and space, CS + Kreme don’t follow a philosophy with making music, what they do is more fluid. Drawn like moths to the liminal state, they write slow and meditative “horizontal-music” which takes in heavy dub processing, sweeping post-punk and chamber music soundscapes, anchored around Standish’s leftfield bass guitar. In Karmel’s words, “Inherently, there are influences that come through without us even realising. It’s kind of that cliche where people put their two cents forward for what our influences are, but I don’t think we’ve set out to be like anyone or anything.”

Both seasoned musicians, Standish and Karmel together hold a rich history of collaborations in successful experimental groups such as: F ingers, Bum Creek, Standish/Carlyon and Devastations, to name a few. Most recently they have collaborated with composer James Rushford who played portative organ on Snoopy and cellist Judith Hamann who contributed to “April Fools Day”, off howwouldyoufeelwithoutthatthought.

In early 2020 CS + Kreme travelled to the UK for their first overseas performances together at The White Hotel in Manchester and a Trilogy Tapes showcase in London. They are currently writing the follow up to Snoopy and developing commissions for several European festivals, including Rewire (NL) and Berliner Festspiel (DE).

Ulla roots her style in improvised jazz and blues on a very welcome follow-up to her sublime ‘Tumbling Towards A Wall’ LP.

Ulla offers more precious room to breathe and space to think on ‘Limitless Frame’, dispensing a broader palette of instrumentation to evoke finer, ephemeral feels with a more timeless appeal. Her sound appears more porous to influence from strains of wistful jazz and blues here, vacillating and morphing her dreamlike ambient purview between parts of signature, aleatoric ambient pads and rustling room recordings, along with more classicist or traditionalist turns of guitars, sax and keys that call to mind K. Leimer via The Remote Viewer. It’s a perhaps surprising change in the winds of her music, and one we’re very happy to follow.

In the artist’s own words “I made this music as a way to hug myself” and listeners can trust that hug will extend to them, too. She spends the first half of the record wrapping us up in clouds of pads, processed strums and fractured melodies, whisked to a gentle peak in the keening swoon of ‘Chest of Drawers’ around the middle, while the second half unravels into gorgeous loner arrangements. She captures the most wistful sensations akin to Annie Hogan’s parlour keys on ‘Something Inside My Body’, and crystalline trickles of guitars in ‘Clearly The Memory’, with the softly pealing wind of ‘Walk Alone’ calling to mind Loren Connors and Daniel Carter’s ‘The Departing of A Dream.’

Event Venue & Nearby Stays

The Dolphin, 1539 S Broad Street, Philadelphia, United States