About this Event
Community Memory Workshop Series
All workshops are free and open to all.
DIY Servers and 3D Heirloom Scanning:
Thursday, September 18, 5:30–7:30 p.m., Glassell Gallery with Prof. Christine Bruening & Visiting Artist Janna Ahrndt
3D Heirloom Scanning & Printing:
Sunday, September 28, 2–4 p.m., Glassell Gallery with Prof. Christine Bruening
Drop-in Heirloom Scanning & Printing:
Sunday, September 7, 2-4 p.m. (Free First Sunday)
Saturday, September 13, 2-4 p.m.
Sunday, September 14, 2–4 p.m.
Saturday, September 27, 2–4 p.m.
Sunday, September 28, 2–4 p.m.
Saturday, October 4, 2–4 p.m.
Sunday, October 5, 2–4 p.m. (Free First Sunday)
Join LSU School of Art faculty and graduate students for Community Memory Workshops in September and October in conjunction with the exhibition, DISK FULL. In these workshops, we’ll consider the cultural weight of our digital remains while learning practical skills: using apps to 3D scan heirlooms and building DIY servers to create personal or community archives.
Much of life now takes place online, from messages and photos to the digitalization of objects through 3D scanning apps. As our memories become less physical, we’re left with a pressing question: what happens to these digital histories when we pass? Artists and academics Janna Ahrndt and Christine Bruening invite participants to reimagine mourning, memory, and preservation in a hands-on workshop that explores these questions. Blending reflection with making, this workshop offers space to imagine how we might carry our memories forward in ways that are secure, meaningful, and truly our own. Selected scans will be printed and displayed in the exhibition DISK FULL until October 19, 2025, at the Glassell Gallery, before being returned to the participants.
This Community Memory Workshops Series is possible thanks to generous support from the Charles Lamar Family Foundation.
ABOUT THE ARTISTS:
Christine Bruening is an interdisciplinary artist whose work investigates the relationship between popular culture and the cultural values embedded in entertainment. Her practice involves collecting, recontextualizing, and juxtaposing familiar media artifacts to prompt new ways of thinking about what we consume and why. Drawing on media studies, she examines how entertainment influences collective memory, identity, and desire. Christine holds a BFA in Sculpture from Penn State University and an MFA from the University of Michigan. She has exhibited and presented her work both nationally and internationally, engaging audiences through critical reflection and playful visual strategies.
Janna Ahrndt is unable to focus, and her medium-agnostic art practice seems to reflect that fact, often making work utilizing creative coding, video, textiles, and altered household electronics. Born to a working-class family in Northern Indiana, their work follows themes of labor, the internet, politics, and gender. Janna received their MFA in Electronic and Time-Based Art from Purdue University in 2019 and is currently an Assistant Professor at the University of Southern Maine, where they reside in a tiny house with their partner and menagerie of pets. Their latest fascination post-pandemic is contemplating ways the internet and machine learning are shaping death and dying rituals and mourning culture. Janna’s research and artwork have been exhibited in spaces such as the International Symposium of Electronic Art, the Science Gallery in Dublin, Ireland, Melbourne, Australia, and recently at Fu:Bar Glitch Art Festival.
LSU School of Art Alfred J. Glassell Gallery Hours
Tuesday–Wednesday: 12–5 p.m.
Thursday–Friday 12–7 p.m.
Saturday–Sunday 12–5 p.m.
Closed Mondays and between exhibitions.
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Event Venue & Nearby Stays
Glassell Gallery, 100 Lafayette Street, Baton Rouge, United States
USD 0.00
