Charles Lloyd Sky Trio (Featuring Brian Blade & Larry Grenadier)

Sun Jun 02 2024 at 07:30 pm UTC-04:00

Jimmy's Jazz & Blues Club | Portsmouth

Jimmy's Jazz & Blues Club
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Charles Lloyd Sky Trio (Featuring Brian Blade & Larry Grenadier)
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๐๐„๐€ ๐‰๐š๐ณ๐ณ ๐Œ๐š๐ฌ๐ญ๐ž๐ซ & ๐‹๐ž๐ ๐ž๐ง๐๐š๐ซ๐ฒ ๐’๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐‚๐‡๐€๐‘๐‹๐„๐’ ๐‹๐‹๐Ž๐˜๐ƒ will grace the stage at Jimmyโ€™s Jazz & Blues Club with his Acclaimed SKY TRIO on ๐’๐ฎ๐ง๐๐š๐ฒ ๐‰๐ฎ๐ง๐ž ๐Ÿ ๐š๐ญ ๐Ÿ•:๐Ÿ‘๐ŸŽ ๐.๐Œ. ๐ฟ๐‘™๐‘œ๐‘ฆ๐‘‘โ€™๐‘  ๐‘†๐‘˜๐‘ฆ ๐‘‡๐‘Ÿ๐‘–๐‘œ ๐‘–๐‘›๐‘๐‘™๐‘ข๐‘‘๐‘’๐‘  2๐‘ฅ-๐บ๐‘…๐ด๐‘€๐‘€๐‘Œยฎ ๐‘๐‘œ๐‘š๐‘–๐‘›๐‘Ž๐‘ก๐‘’๐‘‘ ๐ต๐‘Ž๐‘ ๐‘ ๐‘–๐‘ ๐‘ก ๐ฟ๐ด๐‘…๐‘…๐‘Œ ๐บ๐‘…๐ธ๐‘๐ด๐ท๐ผ๐ธ๐‘… ๐‘Ž๐‘›๐‘‘ 4๐‘ฅ-๐บ๐‘…๐ด๐‘€๐‘€๐‘Œยฎ ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘‘-๐‘Š๐‘–๐‘›๐‘›๐‘’๐‘Ÿ & 13๐‘ฅ-๐บ๐‘…๐ด๐‘€๐‘€๐‘Œยฎ ๐‘๐‘œ๐‘š๐‘–๐‘›๐‘Ž๐‘ก๐‘’๐‘‘ ๐ท๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ ๐ต๐‘…๐ผ๐ด๐‘ ๐ต๐ฟ๐ด๐ท๐ธ!! ๐‘‡โ„Ž๐‘’ ๐‘๐ธ๐‘Š ๐‘Œ๐‘‚๐‘…๐พ ๐‘‡๐ผ๐‘€๐ธ๐‘† ๐‘๐‘Ž๐‘™๐‘™๐‘  ๐ต๐‘™๐‘Ž๐‘‘๐‘’, "๐‘‚๐‘›๐‘’ ๐‘œ๐‘“ ๐‘—๐‘Ž๐‘ง๐‘งโ€™๐‘  ๐‘š๐‘œ๐‘ ๐‘ก ๐‘‘๐‘–๐‘ ๐‘ก๐‘–๐‘›๐‘๐‘ก๐‘–๐‘ฃ๐‘’ ๐‘Ž๐‘›๐‘‘ ๐‘ ๐‘œ๐‘ข๐‘”โ„Ž๐‘ก-๐‘Ž๐‘“๐‘ก๐‘’๐‘Ÿ ๐‘‘๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ๐‘ ..." ๐‘Ž๐‘›๐‘‘ ๐ท๐‘‚๐‘Š๐‘๐ต๐ธ๐ด๐‘‡ ๐‘€๐ด๐บ๐ด๐‘๐ผ๐‘๐ธ ๐‘Ÿ๐‘Ž๐‘ฃ๐‘’๐‘ , "๐ต๐‘™๐‘Ž๐‘‘๐‘’ ๐‘–๐‘  ๐‘ค๐‘–๐‘‘๐‘’๐‘™๐‘ฆ ๐‘Ž๐‘๐‘˜๐‘›๐‘œ๐‘ค๐‘™๐‘’๐‘‘๐‘”๐‘’๐‘‘ ๐‘Ž๐‘  ๐‘œ๐‘›๐‘’ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘ก๐‘œ๐‘ ๐‘‘๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ๐‘  ๐‘–๐‘› ๐‘—๐‘Ž๐‘ง๐‘ง.โ€ (๐‘ณ๐‘ฐ๐‘ด๐‘ฐ๐‘ป๐‘ฌ๐‘ซ ๐‘ป๐‘ฐ๐‘ช๐‘ฒ๐‘ฌ๐‘ป๐‘บ ๐‘น๐‘ฌ๐‘ด๐‘จ๐‘ฐ๐‘ต๐‘ฐ๐‘ต๐‘ฎ!!)
"๐‘ณ๐’๐’๐’š๐’… ๐’Š๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’ˆ๐’“๐’†๐’‚๐’•๐’”, ๐’“๐’‚๐’•๐’‰๐’†๐’“ ๐’๐’Š๐’Œ๐’† ๐‘ฑ๐’๐’‚๐’ ๐‘ด๐’Š๐’“๐’ ๐’Š๐’ ๐’Ž๐’๐’…๐’†๐’“๐’ ๐’‚๐’“๐’•, ๐’‰๐’† ๐’‰๐’‚๐’” ๐’๐’ ๐’‘๐’†๐’†๐’“ ๐’”๐’‚๐’—๐’† ๐’‰๐’Š๐’Ž๐’”๐’†๐’๐’‡. ๐‘ด๐’–๐’”๐’Š๐’„ ๐’๐’‡ ๐’•๐’๐’•๐’‚๐’ ๐’•๐’“๐’‚๐’๐’”๐’‘๐’๐’“๐’• ๐’‚๐’๐’… ๐’…๐’†๐’๐’Š๐’ˆ๐’‰๐’•.โ€
โ€” ๐‘ฑ๐‘จ๐’๐’๐‘พ๐‘ฐ๐‘บ๐‘ฌ
"๐‘ถ๐’—๐’†๐’“ ๐’•๐’‰๐’† ๐’…๐’†๐’„๐’‚๐’…๐’†๐’”, ๐’•๐’‰๐’† ๐’”๐’‚๐’™๐’๐’‘๐’‰๐’๐’๐’† ๐’—๐’Š๐’“๐’•๐’–๐’๐’”๐’ ๐’‰๐’‚๐’” ๐’ƒ๐’๐’–๐’“๐’“๐’†๐’… ๐’•๐’‰๐’† ๐’๐’Š๐’๐’†๐’” ๐’ƒ๐’†๐’•๐’˜๐’†๐’†๐’ ๐’‹๐’‚๐’›๐’› ๐’‚๐’๐’… ๐’‘๐’๐’‘๐’–๐’๐’‚๐’“ ๐’Ž๐’–๐’”๐’Š๐’„, ๐’‘๐’๐’‚๐’š๐’Š๐’๐’ˆ ๐’˜๐’Š๐’•๐’‰ ๐‘ฉ.๐‘ฉ. ๐‘ฒ๐’Š๐’๐’ˆ, ๐‘ช๐’‚๐’๐’๐’๐’๐’ƒ๐’‚๐’๐’ ๐‘จ๐’…๐’…๐’†๐’“๐’๐’†๐’š, ๐‘ป๐’‰๐’† ๐‘ฉ๐’†๐’‚๐’„๐’‰ ๐‘ฉ๐’๐’š๐’” ๐’‚๐’๐’… ๐‘ป๐’‰๐’† ๐‘ฎ๐’“๐’‚๐’•๐’†๐’‡๐’–๐’ ๐‘ซ๐’†๐’‚๐’… โ€“ ๐’‚๐’๐’… ๐’‰๐’†'๐’” ๐’”๐’•๐’Š๐’๐’ ๐’‡๐’๐’๐’˜๐’Š๐’๐’ˆ ๐’˜๐’Š๐’•๐’‰ ๐’Ž๐’–๐’”๐’Š๐’„."
โ€” ๐‘ต๐‘ท๐‘น
"๐‘ช๐’‰๐’‚๐’“๐’๐’†๐’” ๐‘ณ๐’๐’๐’š๐’… ๐’ƒ๐’†๐’๐’๐’๐’ˆ๐’” ๐’•๐’ ๐’‚๐’ ๐’†๐’—๐’†๐’“-๐’๐’‚๐’“๐’“๐’๐’˜๐’Š๐’๐’ˆ ๐’†๐’๐’Š๐’•๐’† ๐’„๐’๐’–๐’ƒ ๐’๐’‡ ๐’Š๐’๐’‡๐’๐’–๐’†๐’๐’•๐’Š๐’‚๐’ ๐’‹๐’‚๐’›๐’› ๐’—๐’†๐’•๐’†๐’“๐’‚๐’๐’”"
โ€” ๐‘ซ๐‘ถ๐‘พ๐‘ต๐‘ฉ๐‘ฌ๐‘จ๐‘ป ๐‘ด๐‘จ๐‘ฎ๐‘จ๐’๐‘ฐ๐‘ต๐‘ฌ
โ€œ๐‘ด๐’“. ๐‘ณ๐’๐’๐’š๐’… ๐’‰๐’‚๐’” ๐’„๐’๐’Ž๐’† ๐’–๐’‘ ๐’˜๐’Š๐’•๐’‰ ๐’‚ ๐’”๐’•๐’“๐’‚๐’๐’ˆ๐’† ๐’‚๐’๐’… ๐’ƒ๐’†๐’‚๐’–๐’•๐’Š๐’‡๐’–๐’ ๐’…๐’Š๐’”๐’•๐’Š๐’๐’๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’•๐’‰๐’† ๐‘จ๐’Ž๐’†๐’“๐’Š๐’„๐’‚๐’ ๐’†๐’™๐’‘๐’†๐’“๐’Š๐’†๐’๐’„๐’†, ๐’‘๐’‚๐’“๐’• ๐’‚๐’ƒ๐’‚๐’๐’…๐’๐’๐’†๐’… ๐’‚๐’๐’… ๐’˜๐’Š๐’๐’…, ๐’‘๐’‚๐’“๐’• ๐’Š๐’Ž๐’Ž๐’†๐’๐’”๐’†๐’๐’š ๐’„๐’๐’๐’•๐’“๐’๐’๐’๐’†๐’… ๐’‚๐’๐’… ๐’”๐’๐’‘๐’‰๐’Š๐’”๐’•๐’Š๐’„๐’‚๐’•๐’†๐’….โ€
โ€” ๐‘ต๐‘ฌ๐‘พ ๐’€๐‘ถ๐‘น๐‘ฒ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ
๐‘ณ๐’๐’๐’š๐’…โ€™๐’” ๐’‚๐’๐’ƒ๐’–๐’Ž โ€˜๐‘ญ๐’๐’“๐’†๐’”๐’• ๐‘ญ๐’๐’๐’˜๐’†๐’“: ๐‘ณ๐’Š๐’—๐’† ๐’‚๐’• ๐‘ด๐’๐’๐’•๐’†๐’“๐’†๐’šโ€™ (1966) ๐’Ž๐’‚๐’…๐’† ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š ๐’‚๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’‡๐’Š๐’“๐’”๐’• ๐’‹๐’‚๐’›๐’› ๐’“๐’†๐’„๐’๐’“๐’…๐’Š๐’๐’ˆ๐’” ๐’•๐’ ๐’”๐’†๐’๐’ ๐’‚ ๐’Ž๐’Š๐’๐’๐’Š๐’๐’ ๐’„๐’๐’‘๐’Š๐’†๐’”!!
๐‘ณ๐’๐’๐’š๐’… ๐’˜๐’๐’ ๐’•๐’‰๐’† 2021 ๐‘ซ๐’๐’˜๐’๐’ƒ๐’†๐’‚๐’• ๐‘ช๐’“๐’Š๐’•๐’Š๐’„'๐’” ๐‘ท๐’๐’๐’ "๐‘ป๐’†๐’๐’๐’“ ๐‘บ๐’‚๐’™๐’๐’‘๐’‰๐’๐’๐’Š๐’”๐’• ๐’๐’‡ ๐’•๐’‰๐’† ๐’€๐’†๐’‚๐’“" ๐’‚๐’๐’… โ€œ๐‘ฑ๐’‚๐’›๐’› ๐‘ฎ๐’“๐’๐’–๐’‘ ๐’๐’‡ ๐’•๐’‰๐’† ๐’€๐’†๐’‚๐’“.โ€
๐‘ฐ๐’ 2023, ๐‘ณ๐’๐’๐’š๐’… ๐’‚๐’ˆ๐’‚๐’Š๐’ ๐’˜๐’๐’ ๐’•๐’‰๐’† ๐‘ซ๐’๐’˜๐’๐’ƒ๐’†๐’‚๐’• ๐‘ช๐’“๐’Š๐’•๐’Š๐’„โ€™๐’” ๐‘ท๐’๐’๐’ โ€œ๐‘ป๐’†๐’๐’๐’“ ๐‘บ๐’‚๐’™๐’๐’‘๐’‰๐’๐’๐’Š๐’”๐’• ๐’๐’‡ ๐’•๐’‰๐’† ๐’€๐’†๐’‚๐’“โ€ ๐’‚๐’๐’… ๐’˜๐’‚๐’” ๐’‚๐’˜๐’‚๐’“๐’…๐’†๐’… ๐’•๐’‰๐’† ๐‘ฑ๐’‚๐’›๐’› ๐‘ฑ๐’๐’–๐’“๐’๐’‚๐’๐’Š๐’”๐’• ๐‘จ๐’”๐’”๐’๐’„๐’Š๐’‚๐’•๐’Š๐’๐’ โ€œ๐‘ณ๐’Š๐’‡๐’†๐’•๐’Š๐’Ž๐’† ๐‘จ๐’„๐’‰๐’Š๐’†๐’—๐’†๐’Ž๐’†๐’๐’• ๐‘จ๐’˜๐’‚๐’“๐’….โ€
"๐‘ซ๐’“๐’†๐’‚๐’Ž๐’š, ๐’„๐’๐’Ž๐’‘๐’†๐’๐’๐’Š๐’๐’ˆ, ๐’๐’๐’-๐’‘๐’“๐’๐’‘๐’–๐’๐’”๐’Š๐’—๐’† ๐’”๐’๐’–๐’๐’…๐’” ๐’•๐’‰๐’‚๐’• ๐’†๐’™๐’Š๐’”๐’• ๐’๐’–๐’•๐’”๐’Š๐’…๐’† ๐’๐’‡ ๐’•๐’Š๐’Ž๐’†, ๐’‚๐’” ๐’‚ ๐’”๐’๐’“๐’• ๐’๐’‡ ๐’”๐’๐’–๐’๐’…๐’•๐’“๐’‚๐’„๐’Œ ๐’•๐’ ๐’”๐’๐’Ž๐’† ๐’Œ๐’Š๐’๐’… ๐’๐’‡ ๐’•๐’“๐’‚๐’๐’’๐’–๐’Š๐’ ๐’†๐’๐’๐’Š๐’ˆ๐’‰๐’•๐’†๐’๐’Ž๐’†๐’๐’•, ๐’๐’“ ๐’‚๐’” ๐’‚ ๐’•๐’†๐’”๐’•๐’‚๐’Ž๐’†๐’๐’• ๐’•๐’ "๐’“๐’Š๐’ˆ๐’‰๐’• ๐’๐’๐’˜."
โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’
๐๐„๐€ ๐‰๐š๐ณ๐ณ ๐Œ๐š๐ฌ๐ญ๐ž๐ซ & ๐‹๐ž๐ ๐ž๐ง๐๐š๐ซ๐ฒ ๐’๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐‚๐‡๐€๐‘๐‹๐„๐’ ๐‹๐‹๐Ž๐˜๐ƒ, ๐ง๐จ๐ฐ ๐ข๐ง ๐ก๐ข๐ฌ ๐ž๐ข๐ ๐ก๐ญ๐ก ๐๐ž๐œ๐š๐๐ž, ๐ก๐š๐ฌ ๐ง๐ž๐ฏ๐ž๐ซ ๐ฌ๐จ๐ฎ๐ง๐๐ž๐ ๐›๐ž๐ญ๐ญ๐ž๐ซ. The depth of his sound reflects a lifetime of experience. His concerts and recordings are events of pristine beauty and elegance, full of intensely felt emotion and passion that touches deep inside the heart. This is not entertainment, but the powerful uncorrupted expression of beauty through music. When music vibrates, the soul vibrates and touches the spirit within.
๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐‹๐ฅ๐จ๐ฒ๐ ๐ฐ๐š๐ฌ ๐›๐จ๐ซ๐ง ๐ข๐ง ๐Œ๐ž๐ฆ๐ฉ๐ก๐ข๐ฌ, ๐“๐ž๐ง๐ง๐ž๐ฌ๐ฌ๐ž๐ž, ๐จ๐ง ๐Œ๐š๐ซ๐œ๐ก ๐Ÿ๐Ÿ“, ๐Ÿ๐Ÿ—๐Ÿ‘๐Ÿ– ๐š๐ง๐ ๐ฐ๐š๐ฌ ๐ ๐ข๐ฏ๐ž๐ง ๐ก๐ข๐ฌ ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ฌ๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ž ๐š๐ญ ๐ญ๐ก๐ž ๐š๐ ๐ž ๐จ๐Ÿ ๐Ÿ—. He was riveted to 1940โ€™s radio broadcasts by Charlie Parker, Coleman Hawkins, Lester Young, Billie Holiday and Duke Ellington. His closest childhood friend was the great trumpeter Booker Little. As a teenager Lloyd played jazz with saxophonist George Coleman and was a sideman for blues greats Johnny Ace, Bobby Blue Bland, Howlinโ€™ Wolf and BB King.
๐‚๐ฅ๐š๐ฌ๐ฌ๐ข๐œ๐š๐ฅ ๐ฆ๐ฎ๐ฌ๐ข๐œ ๐š๐ฅ๐ฌ๐จ ๐ž๐ฑ๐ž๐ซ๐ญ๐ž๐ ๐š ๐ฌ๐ญ๐ซ๐จ๐ง๐  ๐ฉ๐ฎ๐ฅ๐ฅ ๐จ๐ง ๐ญ๐ก๐ž ๐ฒ๐จ๐ฎ๐ง๐  ๐‹๐ฅ๐จ๐ฒ๐. In 1956 he left Memphis for Los Angeles to earn a degree in music at USC where he studied with Halsey Stevens, a foremost Bartรณk authority. While his days were spent in academia, Lloyd spent nights getting educated on the job in L.A.โ€™s jazz clubs, playing with Ornette Coleman, Billy Higgins, Scott La Faro, Don Cherry, Charlie Haden, Eric Dolphy, Bobby Hutcherson and other leading west coast jazz artists. He also was a member of the Gerald Wilson big band.
๐ˆ๐ง ๐Ÿ๐Ÿ—๐Ÿ”๐ŸŽ, ๐‹๐ฅ๐จ๐ฒ๐ ๐ฐ๐š๐ฌ ๐ข๐ง๐ฏ๐ข๐ญ๐ž๐ ๐ญ๐จ ๐›๐ž๐œ๐จ๐ฆ๐ž ๐ฆ๐ฎ๐ฌ๐ข๐œ ๐๐ข๐ซ๐ž๐œ๐ญ๐จ๐ซ ๐จ๐Ÿ ๐‚๐ก๐ข๐œ๐จ ๐‡๐š๐ฆ๐ข๐ฅ๐ญ๐จ๐งโ€™๐ฌ ๐ ๐ซ๐จ๐ฎ๐ฉ ๐ฐ๐ก๐ž๐ง ๐ƒ๐จ๐ฅ๐ฉ๐ก๐ฒ ๐ฅ๐ž๐Ÿ๐ญ ๐ญ๐จ ๐ฃ๐จ๐ข๐ง ๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐Œ๐ข๐ง๐ ๐ฎ๐ฌโ€™๐ฌ ๐›๐š๐ง๐. The Hungarian guitarist Gabor Szabo and bassist Albert โ€œSparkyโ€ Stinson soon joined Lloyd in the band. Hamiltonโ€™s most memorable albums for Impulse Records, โ€˜Passinโ€™ Thruโ€™ and โ€˜Man from Two Worldsโ€™, featured music arranged and written almost entirely by Lloyd, and during this period of prolific composing he was also finding his unique voice as a saxophonist.
๐‹๐ฅ๐จ๐ฒ๐ ๐ฃ๐จ๐ข๐ง๐ž๐ ๐ญ๐ก๐ž ๐‚๐š๐ง๐ง๐จ๐ง๐›๐š๐ฅ๐ฅ ๐€๐๐๐ž๐ซ๐ฅ๐ž๐ฒ ๐’๐ž๐ฑ๐ญ๐ž๐ญ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ”๐Ÿ’, ๐š๐ง๐ ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ž๐ ๐š๐ฅ๐จ๐ง๐ ๐ฌ๐ข๐๐ž ๐๐š๐ญ ๐€๐๐๐ž๐ซ๐ฅ๐ž๐ฒ, ๐‰๐จ๐ž ๐™๐š๐ฐ๐ข๐ง๐ฎ๐ฅ, ๐’๐š๐ฆ ๐‰๐จ๐ง๐ž๐ฌ ๐š๐ง๐ ๐‹๐จ๐ฎ๐ข๐ฌ ๐‡๐š๐ฒ๐ž๐ฌ. He remained with Cannonball for two years, and to this day continues to acknowledge the important role Cannon played in his own development as a leader. In 1964, Lloyd signed with CBS Records and began to record as a leader. His Columbia recordings, โ€˜Discoveryโ€™ (1964), and โ€˜Of Course, Of Courseโ€™ (1965), featured sidemen including Roy Haynes and Tony Williams on drums, Richard Davis and Ron Carter on bass, Gabor Szabo on guitar and Don Friedman on piano, and led to his being voted Downbeat Magazineโ€™s โ€œNew Star.โ€
๐‹๐ฅ๐จ๐ฒ๐ ๐ฅ๐ž๐Ÿ๐ญ ๐‚๐š๐ง๐ง๐จ๐ง๐›๐š๐ฅ๐ฅ ๐€๐๐๐ž๐ซ๐ฅ๐ž๐ฒ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ”๐Ÿ“ ๐ญ๐จ ๐Ÿ๐จ๐ซ๐ฆ ๐ก๐ข๐ฌ ๐จ๐ฐ๐ง ๐ช๐ฎ๐š๐ซ๐ญ๐ž๐ญ, ๐š ๐›๐ซ๐ข๐ฅ๐ฅ๐ข๐š๐ง๐ญ ๐ž๐ง๐ฌ๐ž๐ฆ๐›๐ฅ๐ž ๐ญ๐ก๐š๐ญ ๐ข๐ง๐ญ๐ซ๐จ๐๐ฎ๐œ๐ž๐ ๐ญ๐ก๐ž ๐ฃ๐š๐ณ๐ณ ๐ฐ๐จ๐ซ๐ฅ๐ ๐ญ๐จ ๐ญ๐ก๐ž ๐ญ๐š๐ฅ๐ž๐ง๐ญ๐ฌ ๐จ๐Ÿ ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ ๐Š๐ž๐ข๐ญ๐ก ๐‰๐š๐ซ๐ซ๐ž๐ญ๐ญ, ๐๐ซ๐ฎ๐ฆ๐ฆ๐ž๐ซ ๐‰๐š๐œ๐ค ๐ƒ๐ž๐‰๐จ๐ก๐ง๐ž๐ญ๐ญ๐ž ๐š๐ง๐ ๐›๐š๐ฌ๐ฌ๐ข๐ฌ๐ญ ๐‚๐ž๐œ๐ข๐ฅ ๐Œ๐œ๐๐ž๐ž. Their first release together was a studio recording, โ€˜Dream Weaverโ€™, followed by โ€˜Forest Flower: Live at Montereyโ€™ (1966). โ€˜Forest Flowerโ€™ made history as one of the first jazz recordings to sell a million copies, and the albumโ€™s firsts continued as it became a stunning crossover success that appealed to popular, mass market, audiences and gained heavy airplay on FM radio. The Quartet was the first jazz group to appear at the famed Fillmore Auditorium in San Francisco and other rock palaces and shared billing with Jimi Hendrix, Janis Joplin, Cream, the Grateful Dead and Jefferson Airplane.
๐ˆ๐ง ๐Ÿ๐Ÿ—๐Ÿ”๐Ÿ•, ๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐‹๐ฅ๐จ๐ฒ๐ ๐ฐ๐š๐ฌ ๐ฏ๐จ๐ญ๐ž๐ โ€œ๐‰๐š๐ณ๐ณ ๐€๐ซ๐ญ๐ข๐ฌ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐˜๐ž๐š๐ซโ€ ๐›๐ฒ ๐ƒ๐จ๐ฐ๐ง๐›๐ž๐š๐ญ ๐Œ๐š๐ ๐š๐ณ๐ข๐ง๐ž, ๐š๐ง๐ ๐ญ๐ก๐ž ๐๐ฎ๐š๐ซ๐ญ๐ž๐ญ ๐ฐ๐š๐ฌ ๐ข๐ง๐ฏ๐ข๐ญ๐ž๐ ๐ญ๐จ ๐ญ๐จ๐ฎ๐ซ ๐ญ๐ก๐ž ๐ฐ๐จ๐ซ๐ฅ๐. The Charles Lloyd Quartet found a warm reception in Europe at the new jazz festivals in Montreux, Antibes, and Molde. Its performances in the Far East, the Soviet Union and the Eastern Bloc nations of Europe often marked the first time these audiences had heard an American jazz group live.
๐‚๐ซ๐ž๐๐ข๐ญ๐ž๐ ๐›๐ฒ ๐ฆ๐š๐ง๐ฒ ๐ฆ๐ฎ๐ฌ๐ข๐œ๐ข๐š๐ง๐ฌ ๐ฐ๐ข๐ญ๐ก ๐š๐ง๐ญ๐ข๐œ๐ข๐ฉ๐š๐ญ๐ข๐ง๐  ๐ญ๐ก๐ž ๐–๐จ๐ซ๐ฅ๐ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐ฆ๐จ๐ฏ๐ž๐ฆ๐ž๐ง๐ญ ๐›๐ฒ ๐ข๐ง๐œ๐จ๐ซ๐ฉ๐จ๐ซ๐š๐ญ๐ข๐ง๐  ๐œ๐š๐๐ž๐ง๐œ๐ž๐ฌ ๐จ๐Ÿ ๐ฆ๐š๐ง๐ฒ ๐œ๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž๐ฌ ๐ข๐ง ๐ก๐ข๐ฌ ๐œ๐จ๐ฆ๐ฉ๐จ๐ฌ๐ข๐ญ๐ข๐จ๐ง๐ฌ ๐š๐ฌ ๐ž๐š๐ซ๐ฅ๐ฒ ๐š๐ฌ ๐ญ๐ก๐ž ๐ฅ๐š๐ญ๐ž ๐Ÿ๐Ÿ—๐Ÿ“๐ŸŽ๐ฌ, ๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐‹๐ฅ๐จ๐ฒ๐ ๐๐ž๐ฌ๐œ๐ซ๐ข๐›๐ž๐ฌ ๐ก๐ข๐ฌ ๐ฆ๐ฎ๐ฌ๐ข๐œ ๐š๐ฌ ๐ก๐š๐ฏ๐ข๐ง๐  ๐š๐ฅ๐ฐ๐š๐ฒ๐ฌ โ€œ๐๐š๐ง๐œ๐ž๐ ๐จ๐ง ๐ฆ๐š๐ง๐ฒ ๐ฌ๐ก๐จ๐ซ๐ž๐ฌ.โ€ From the moment he first came to prominence as the young music director of the Chico Hamilton Quintet in 1960, Lloyd began to take audiences on journeys that traversed enormous distances. Over nearly five decades, his compositions have punctuated the post-bop period, embraced the traditional music of a host of world cultures and enlivened the psychedelic 1960s with avant-garde improvisation.
๐€๐ญ ๐ญ๐ก๐ž ๐ก๐ž๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐ก๐ข๐ฌ ๐œ๐š๐ซ๐ž๐ž๐ซ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ•๐ŸŽ, ๐‹๐ฅ๐จ๐ฒ๐ ๐๐ข๐ฌ๐›๐š๐ง๐๐ž๐ ๐ญ๐ก๐ž ๐ช๐ฎ๐š๐ซ๐ญ๐ž๐ญ ๐š๐ง๐ ๐๐ซ๐จ๐ฉ๐ฉ๐ž๐ ๐Ÿ๐ซ๐จ๐ฆ ๐ฌ๐ข๐ ๐ก๐ญ, ๐ฐ๐ข๐ญ๐ก๐๐ซ๐š๐ฐ๐ข๐ง๐  ๐ญ๐จ ๐ฉ๐ฎ๐ซ๐ฌ๐ฎ๐ž ๐š๐ง ๐ข๐ง๐ง๐ž๐ซ ๐ฃ๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐ข๐ง ๐๐ข๐  ๐’๐ฎ๐ซ, ๐ญ๐ก๐ž ๐ฐ๐ข๐ฅ๐ ๐ก๐š๐ฏ๐ž๐ง ๐ญ๐ก๐š๐ญ ๐ก๐š๐ ๐ฉ๐ซ๐ž๐ฏ๐ข๐จ๐ฎ๐ฌ๐ฅ๐ฒ ๐š๐ญ๐ญ๐ซ๐š๐œ๐ญ๐ž๐ ๐จ๐ญ๐ก๐ž๐ซ ๐š๐ซ๐ญ๐ข๐ฌ๐ญ๐ฌ ๐š๐ง๐ ๐ฌ๐ž๐ž๐ค๐ž๐ซ๐ฌ ๐ข๐ง๐œ๐ฅ๐ฎ๐๐ข๐ง๐  ๐‘๐จ๐›๐ข๐ง๐ฌ๐จ๐ง ๐‰๐ž๐Ÿ๐Ÿ๐ž๐ซ๐ฌ, ๐‹๐š๐ง๐ ๐ฌ๐ญ๐จ๐ง ๐‡๐ฎ๐ ๐ก๐ž๐ฌ, ๐‡๐ž๐ง๐ซ๐ฒ ๐Œ๐ข๐ฅ๐ฅ๐ž๐ซ, ๐‹๐š๐ฐ๐ซ๐ž๐ง๐œ๐ž ๐…๐ž๐ซ๐ฅ๐ข๐ง๐ ๐ก๐ž๐ญ๐ญ๐ข, ๐‰๐š๐œ๐ค ๐Š๐ž๐ซ๐จ๐ฎ๐š๐œ, ๐‰๐ž๐š๐ง ๐•๐š๐ซ๐๐š ๐š๐ง๐ ๐‰๐š๐ฆ๐ข๐ž ๐ƒ๐ž๐€๐ง๐ ๐ฎ๐ฅ๐จ. Despite recording several albums during the 1970s and occasionally appearing as a sideman with various rock groups, he practically disappeared from the jazz scene. During the 1970s Lloyd played extensively with The Beach Boys both on their studio recordings and as a member of their touring band. In the late 1970s Lloyd was a member of Celebration, a band composed of members of the Beach Boysโ€™ touring band as well as Mike Love and Al Jardine. Celebration released two albums.
๐ˆ๐ญ ๐ฐ๐š๐ฌ๐งโ€™๐ญ ๐ฎ๐ง๐ญ๐ข๐ฅ ๐Ÿ๐Ÿ—๐Ÿ–๐Ÿ ๐ญ๐ก๐š๐ญ ๐‹๐ฅ๐จ๐ฒ๐ ๐ฆ๐จ๐ฏ๐ž๐ ๐ญ๐จ ๐›๐ซ๐ž๐š๐ค ๐š ๐๐ž๐œ๐š๐๐ž ๐จ๐Ÿ ๐ฌ๐ข๐ฅ๐ž๐ง๐œ๐ž ๐ข๐ง ๐ญ๐ก๐ž ๐ฃ๐š๐ณ๐ณ ๐ฐ๐จ๐ซ๐ฅ๐ ๐ฐ๐ก๐ž๐ง ๐š ๐ซ๐ž๐ฆ๐š๐ซ๐ค๐š๐›๐ฅ๐ž ๐Ÿ๐Ÿ–-๐ฒ๐ž๐š๐ซ-๐จ๐ฅ๐ ๐…๐ซ๐ž๐ง๐œ๐ก ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ, ๐Œ๐ข๐œ๐ก๐ž๐ฅ ๐๐ž๐ญ๐ซ๐ฎ๐œ๐œ๐ข๐š๐ง๐ข, ๐š๐ซ๐ซ๐ข๐ฏ๐ž๐ ๐ข๐ง ๐๐ข๐  ๐’๐ฎ๐ซ. Lloyd was compelled to help introduce this gifted artist to the world. This led to U.S., European and Japanese tours in 1982 and 1983 with Petrucciani on piano, Palle Danielsson on bass and drummer Son Ship Theus. British jazz critic Brian Case called Lloydโ€™s return โ€œone of the events of the 1980s.โ€
๐‹๐ฅ๐จ๐ฒ๐ ๐ฆ๐š๐๐ž ๐ก๐ข๐ฌ ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ซ๐ž๐œ๐จ๐ซ๐๐ข๐ง๐  ๐Ÿ๐จ๐ซ ๐„๐‚๐Œ ๐‘๐ž๐œ๐จ๐ซ๐๐ฌ, โ€˜๐…๐ข๐ฌ๐ก ๐Ž๐ฎ๐ญ ๐จ๐Ÿ ๐–๐š๐ญ๐ž๐ซโ€™ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ–๐Ÿ—. The project marked the beginning of a new wave of Lloyd compositions and recordings. More than twenty years later, he is still with the label, and still in search of the โ€œsoundโ€ and the truth. From 1989, Lloyd toured actively and recorded for the ECM label. Noteworthy albums include โ€œCanto,โ€ โ€œVoice In the Night,โ€ โ€œThe Water Is Wide,โ€ featuring Brad Mehldau, John Abercrombie, Larry Grenadier and Billy Higgins, โ€œLift Every Voice,โ€ (featuring Geri Allen), and the live โ€œRabo de Nubeโ€ with Jason Moran, Reuben Rogers and Eric Harland. Charles Lloyd brought great consistency and creativity to his period with ECM, much of his music containing a strong spiritual and world music element, as can be heard on the duo recording โ€œWhich Way Is Eastโ€ with his longtime friend and musical soul mate, Billy Higgins. โ€œRabo de Nubeโ€, captured โ€œliveโ€ at its inception, and was voted #1 recording for the 2008 Jazz Times Readerโ€™s and Criticโ€™s Poll. โ€˜Mirrorโ€™ (2010) has already been called a โ€œCharles Lloyd classic.โ€
๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐‹๐ฅ๐จ๐ฒ๐ ๐ฆ๐š๐ข๐ง๐ญ๐š๐ข๐ง๐ฌ ๐š๐ง ๐š๐œ๐ญ๐ข๐ฏ๐ž ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐š๐ง๐œ๐ž ๐š๐ง๐ ๐ซ๐ž๐œ๐จ๐ซ๐๐ข๐ง๐  ๐ฌ๐œ๐ก๐ž๐๐ฎ๐ฅ๐ž ๐š๐ง๐ ๐œ๐ž๐ฅ๐ž๐›๐ซ๐š๐ญ๐ž๐ ๐ก๐ข๐ฌ ๐Ÿ•๐Ÿ“๐ญ๐ก ๐›๐ข๐ซ๐ญ๐ก๐๐š๐ฒ ๐ฐ๐ข๐ญ๐ก ๐œ๐จ๐ง๐œ๐ž๐ซ๐ญ๐ฌ ๐ข๐ง ๐ญ๐ก๐ž ๐“๐ž๐ฆ๐ฉ๐ฅ๐ž ๐จ๐Ÿ ๐ƒ๐ž๐ง๐๐ฎ๐ซ ๐š๐ญ ๐ญ๐ก๐ž ๐Œ๐ž๐ญ๐ซ๐จ๐ฉ๐จ๐ฅ๐ข๐ญ๐š๐ง ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ ๐š๐ง๐ ๐ญ๐ก๐ž ๐Š๐ž๐ง๐ง๐ž๐๐ฒ ๐‚๐ž๐ง๐ญ๐ž๐ซ ๐‚๐จ๐ง๐œ๐ž๐ซ๐ญ ๐‡๐š๐ฅ๐ฅ. Lloyd and Jason Moran were commissioned by Alonzo Kingโ€™s Lines Ballet to compose the score for a new ballet, โ€œAzothโ€ which had its world premiere in October 1, 2019.
๐‚๐ก๐š๐ซ๐ฅ๐ž๐ฌ ๐‹๐ฅ๐จ๐ฒ๐ ๐ฐ๐š๐ฌ ๐š๐ฐ๐š๐ซ๐๐ž๐ ๐ญ๐ก๐ž ๐ฉ๐ซ๐ž๐ฌ๐ญ๐ข๐ ๐ข๐จ๐ฎ๐ฌ ๐ก๐จ๐ง๐จ๐ซ ๐จ๐Ÿ โ€œ๐‚๐ก๐ž๐ฏ๐š๐ฅ๐ข๐ž๐ซ ๐๐ž๐ฌ ๐€๐ซ๐ญ๐ฌ ๐ž๐ญ ๐‹๐ž๐ญ๐ญ๐ซ๐ž๐ฌโ€ ๐›๐ฒ ๐ญ๐ก๐ž ๐…๐ซ๐ž๐ง๐œ๐ก ๐Œ๐ข๐ง๐ข๐ฌ๐ญ๐ž๐ซ ๐จ๐Ÿ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐ข๐ง ๐€๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ—. Now in his 80โ€™s, Lloyd remains a vital and creative force in the world of music and arts!
๐“๐ข๐œ๐ค๐ž๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐๐„๐€ ๐‰๐š๐ณ๐ณ ๐Œ๐š๐ฌ๐ญ๐ž๐ซ & ๐‹๐ž๐ ๐ž๐ง๐๐š๐ซ๐ฒ ๐’๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐‚๐‡๐€๐‘๐‹๐„๐’ ๐‹๐‹๐Ž๐˜๐ƒ at Jimmyโ€™s Jazz & Blues Club with his Acclaimed SKY TRIO on ๐’๐ฎ๐ง๐๐š๐ฒ ๐‰๐ฎ๐ง๐ž ๐Ÿ ๐š๐ญ ๐Ÿ•:๐Ÿ‘๐ŸŽ ๐.๐Œ. are NOW On-Sale on Ticketmaster, Facebook Events at: https://fb.me/e/4xpQKFI12 and Jimmyโ€™s Website at: https://jimmysoncongress.com/.../charles-lloyd-sky-trio.../ โ€“ ๐‘ซ๐’๐’๐’“๐’” ๐’๐’‘๐’†๐’ ๐’‚๐’๐’… ๐’‚ ๐’…๐’†๐’๐’Š๐’„๐’Š๐’๐’–๐’” ๐’…๐’Š๐’๐’๐’†๐’“ ๐’Š๐’” ๐’”๐’†๐’“๐’—๐’†๐’… - ๐’˜๐’Š๐’•๐’‰ ๐’”๐’Š๐’ˆ๐’๐’‚๐’•๐’–๐’“๐’† ๐’…๐’“๐’Š๐’๐’Œ๐’” ๐’‚๐’๐’… ๐’„๐’๐’„๐’Œ๐’•๐’‚๐’Š๐’๐’” --- (and our ๐‘จ๐’˜๐’‚๐’“๐’…-๐‘พ๐’Š๐’๐’๐’Š๐’๐’ˆ ๐‘พ๐’Š๐’๐’† ๐‘ณ๐’Š๐’”๐’•)- ๐’‚๐’• 5:30 ๐’‘๐’Ž!!
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๐€๐ฅ๐ฅ ๐จ๐Ÿ ๐‰๐ข๐ฆ๐ฆ๐ฒ'๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐‚๐ฅ๐ฎ๐› ๐’๐ก๐จ๐ฐ๐ฌ & ๐„๐ฏ๐ž๐ง๐ญ๐ฌ ๐œ๐š๐ง ๐›๐ž ๐Ÿ๐จ๐ฎ๐ง๐ ๐š๐ญ: https://jimmysoncongress.com/events/ - ๐‘ถ๐‘ผ๐‘ป๐‘บ๐‘ป๐‘จ๐‘ต๐‘ซ๐‘ฐ๐‘ต๐‘ฎ 2024 ๐‘บ๐‘ฏ๐‘ถ๐‘พ๐‘บ ๐‘ถ๐‘ต-๐‘บ๐‘จ๐‘ณ๐‘ฌ ๐‘ต๐‘ถ๐‘พ!! (GIFT CARDS are available on Jimmy's Website or by calling Jimmy's Box Office at 1-888-603-5299)
๐’๐ข๐ ๐ง-๐ฎ๐ฉ ๐Ÿ๐จ๐ซ ๐‰๐ข๐ฆ๐ฆ๐ฒ'๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐‚๐ฅ๐ฎ๐› ๐„๐ฆ๐š๐ข๐ฅ ๐๐ž๐ฐ๐ฌ๐ฅ๐ž๐ญ๐ญ๐ž๐ซ ๐š๐ญ: www.jimmysoncongress.com/subscribe to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances, Sunday Jazz Brunch, and much more!! Thank you!!
๐‰๐ข๐ฆ๐ฆ๐ฒ'๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐‚๐ฅ๐ฎ๐› ๐Œ๐ž๐ฆ๐›๐ž๐ซ๐ฌ๐ก๐ข๐ฉ๐ฌ allowing for advanced purchasing of tickets can be found on our website - https://jimmysoncongress.com/jimmys-inner-circle/ - thank you to all 800+ of our current members for your support!!
๐๐‘๐ˆ๐•๐€๐“๐„ ๐„๐•๐„๐๐“๐’, ๐‚๐Ž๐‘๐๐Ž๐‘๐€๐“๐„ ๐„๐•๐„๐๐“๐’ & ๐–๐„๐ƒ๐ƒ๐ˆ๐๐†๐’. Jimmyโ€™s Jazz & Blues Club offers a rare and spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: [email protected] or fill out Jimmy's Event Request Form at: https://jimmysoncongress.com/book-an-event/
๐‰๐จ๐ข๐ง ๐ญ๐ก๐ž ๐“๐ž๐š๐ฆ ๐š๐ญ ๐ญ๐ก๐ž ๐‹๐š๐›๐ซ๐ข๐ž ๐†๐ซ๐จ๐ฎ๐ฉ ๐…๐š๐ฆ๐ข๐ฅ๐ฒ ๐จ๐Ÿ ๐‘๐ž๐ฌ๐ญ๐š๐ฎ๐ซ๐š๐ง๐ญ๐ฌ. Current job openings are available at: www.TheLabrieGroup.com.
#JimmysJazzAndBluesClub #PortsmouthNH #JimmysJazzBlues #JazzMusic #JazzClub #JazzBand #NEAJazzMaster #Saxophone #CharlesLloyd #Drums #JazzDrummer #BrianBlade #Bassist #LarryGrenadier #LiveJazz #Grammys #LiveMusic #SupperClub #EatLocal #DinnerAndMusic #FarmToTable #WineLover #Music #MusicLover #TheJimmysExperience
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Event Venue & Nearby Stays

Jimmy's Jazz & Blues Club, 135 Congress St, Portsmouth, NH 03801-4005, United States,Portsmouth, New Hampshire

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