Brother Elsey, Jenny Owen Youngs, and more on Mountain Stage

Available to Mountain Stage Members Friday, August 2 at 10a.m. ET
Public on sale Friday, August 9 at 10a.m. ET

All tickets to this show are e-tickets and will be emailed to you upon purchase. Open up the pdf and the QR code on your ticket will be scanned at the door. This event will also be offered as a livestream.

Mountain Stage livestreams are free, however, there are some incredible folks out there who’d like to show their support through a donation-based, pay-what-you-want “ticket” for the livestream. This is a donation-based “ticket” to show some love for the program and is not a ticket to the live event.

You’ll be able to catch the show from the comfort of your home (or wherever you wish) Sunday, November 3, 2024 – at 7 PM ET at mountainstage.org.

There’s something unique in Brother Elsey DNA. Comprised of siblings Brady (vocals and guitar), Beau (bass), and Jack Stablein (lead guitar), plus honorary kin Dalton Thomas (drums), these sons of Detroit have spent their lives working together to create a blueprint of musical connection, using sharp songcraft, a celestial-roots sound, and pure Midwestern grit to suss out common truths of the human condition. Freely mixing rock, folk, and country in ways both grounded and atmospheric, rugged yet serene, the quartet are now signed to Nashville’s River House Artists, and it’s time to reveal their family secrets. Named for the Stablein brothers’ great-grandfather, early gigs in high school led to Dalton joining in college, and a whirlwind of hard-earned grassroots growth. Along with a series of self-written and self-produced singles and EPs, a heavy self-booked tour scheduled culminated in tours alongside major acts like alt-rock icons The Wallflowers, Allen Stone, the War and Treaty, and Young the Giant, plus the transcendent 2021 EP debut, You Don’t Know Anything. After relocating to Nashville and expanding their road-warrior reputation, a new chapter now begins, fusing their unconventional sound with a knack for tapping the common well of humanist spirit. Featuring lofty soundscapes, husky-but-piercing vocals, blood harmonies, and down-to-earth craftsmanship, Brother Elsey’s new material both explores the emotions that guide (and restrict) modern life, and sharpens their unique brand of ethereal folk rock. Produced by Drew Long and recorded at East Nashville’s Ivy Hall, tracks like the cinematic “Passing Through” meet with patient observations (“Babylon”) and pent-up nervous energy (“Red Tape”), as the family band emerge on the national scene. Featured at the 2023 Americana Music Festival and beyond, Brother Elsey will also star in the film Dandelion (set to debut at SXSW 2024), and plan to tour with both Boy Named Banjo and SUSTO in the coming year.

In the decade since Jenny Owen Youngs last released a full-length album, she’s toured the world, co-written a #1 hit single, launched a wildly popular podcast, landed a book deal, placed songs in a slew of films and television series, moved from Brooklyn to Los Angeles to coastal Maine, and gotten married, divorced, and married again. She’s done everything, it seems, except release another album….until now.

Avalanche, Youngs’ exceptional debut for Yep Roc records, offers up an achingly beautiful exploration of loss, resilience, and growth from an artist who’s experienced more than her fair share of each in recent years. Produced by Josh Kaufman (Bonny Light Horseman, The Hold Steady, Cassandra Jenkins, Josh Ritter) and written with a series of friends including S. Carey, Madi Diaz, The Antlers’ Peter Silberman, and Christian Lee Hutson, the songs are deceptively serene here, layering Youngs’ infectious pop sensibilities atop lush, dreamy arrangements that often belie the swift emotional currents lurking underneath. Her performances, meanwhile, are riveting and nuanced to match, gentle yet insistent as they reckon with the pain of regret and the joy of redemption, sometimes in the very same breath. The result is the most raw and arresting release of Youngs’ remarkable career, a brutally honest, deeply vulnerable work of self-reflection that learns to make peace with the past as it transforms doubt and grief into hope and transcendence.

— Anthony D’Amato

Event Venue & Nearby Stays

Culture Center Theater, 1900 Kanawha Blvd E, Charleston , WV, United States