Brian Blade & the Fellowship Band

Fri, 31 Oct, 2025 at 07:00 pm UTC-05:00

New Orleans Jazz Market | New Orleans

Brian Blade
Publisher/HostBrian Blade
Brian Blade & the Fellowship Band
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๐Ÿ’๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ๐Ÿ‘๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐ƒ๐ซ๐ฎ๐ฆ๐ฆ๐ž๐ซ, ๐‚๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ & ๐๐š๐ง๐๐ฅ๐ž๐š๐๐ž๐ซ ๐๐‘๐ˆ๐€๐ ๐๐‹๐€๐ƒ๐„ & ๐“๐‡๐„ ๐…๐„๐‹๐‹๐Ž๐–๐’๐‡๐ˆ๐ ๐๐€๐๐ƒ perform at the New Orleans Jazz & Blues Market on ๐“๐ก๐ฎ๐ซ๐ฌ๐๐š๐ฒ ๐š๐ง๐ ๐…๐ซ๐ข๐๐š๐ฒ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ‘๐ŸŽ & ๐Ÿ‘๐Ÿ ๐š๐ญ ๐Ÿ• & ๐Ÿ—:๐Ÿ‘๐ŸŽ ๐.๐Œ. ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐ต๐‘™๐‘Ž๐‘‘๐‘’ ๐‘–๐‘  ๐‘Ž ๐‘™๐‘’๐‘”๐‘’๐‘›๐‘‘๐‘Ž๐‘Ÿ๐‘ฆ ๐‘—๐‘Ž๐‘ง๐‘ง ๐‘‘๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ โ„Ž๐‘Ž๐‘ฃ๐‘–๐‘›๐‘” ๐‘’๐‘ ๐‘ก๐‘Ž๐‘๐‘™๐‘–๐‘ โ„Ž๐‘’๐‘‘ โ„Ž๐‘–๐‘š๐‘ ๐‘’๐‘™๐‘“ ๐‘Ž๐‘  ๐‘Ž ๐‘ฃ๐‘’๐‘Ÿ๐‘ ๐‘Ž๐‘ก๐‘–๐‘™๐‘’, ๐‘Ž๐‘๐‘๐‘œ๐‘š๐‘๐‘™๐‘–๐‘ โ„Ž๐‘’๐‘‘ ๐‘‘๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ ๐‘’๐‘Ž๐‘Ÿ๐‘™๐‘ฆ ๐‘–๐‘› โ„Ž๐‘–๐‘  ๐‘๐‘Ž๐‘Ÿ๐‘’๐‘’๐‘Ÿ. ๐ป๐‘’ โ„Ž๐‘Ž๐‘  ๐‘Ž๐‘๐‘๐‘’๐‘Ž๐‘Ÿ๐‘’๐‘‘ ๐‘œ๐‘› ๐‘Ž๐‘™๐‘๐‘ข๐‘š๐‘  ๐‘๐‘ฆ ๐‘กโ„Ž๐‘’ ๐‘™๐‘–๐‘˜๐‘’๐‘  ๐‘œ๐‘“ ๐ฝ๐‘œ๐‘ โ„Ž๐‘ข๐‘Ž ๐‘…๐‘’๐‘‘๐‘š๐‘Ž๐‘›, ๐พ๐‘’๐‘›๐‘›๐‘ฆ ๐บ๐‘Ž๐‘Ÿ๐‘Ÿ๐‘’๐‘ก๐‘ก, ๐‘Ž๐‘›๐‘‘ Bob Dylan ๐‘Ž๐‘›๐‘‘ โ„Ž๐‘Ž๐‘  ๐‘ค๐‘œ๐‘Ÿ๐‘˜๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘Ž ๐‘ฃ๐‘Ž๐‘Ÿ๐‘–๐‘’๐‘‘ ๐‘๐‘’๐‘ฃ๐‘ฆ ๐‘œ๐‘“ ๐‘Ž๐‘Ÿ๐‘ก๐‘–๐‘ ๐‘ก๐‘ , ๐‘–๐‘›๐‘๐‘™๐‘ข๐‘‘๐‘–๐‘›๐‘” Herbie Hancock, Chick Corea, ๐ฝ๐‘œ๐‘›๐‘– ๐‘€๐‘–๐‘ก๐‘โ„Ž๐‘’๐‘™๐‘™, Norah Jones, ๐ต๐‘–๐‘™๐‘™ ๐น๐‘Ÿ๐‘–๐‘ ๐‘’๐‘™๐‘™, Christian McBride, ๐ธ๐‘š๐‘š๐‘ฆ๐‘™๐‘œ๐‘ข ๐ป๐‘Ž๐‘Ÿ๐‘Ÿ๐‘–๐‘ , ๐‘Ž๐‘›๐‘‘ ๐‘Ž๐‘  ๐‘Ž ๐‘™๐‘œ๐‘›๐‘”-๐‘ ๐‘ก๐‘Ž๐‘›๐‘‘๐‘–๐‘›๐‘” ๐‘š๐‘’๐‘š๐‘๐‘’๐‘Ÿ ๐‘œ๐‘“ Wayne Shorterโ€™๐‘  ๐‘๐‘Ž๐‘›๐‘‘ ๐‘๐‘’๐‘”๐‘–๐‘›๐‘›๐‘–๐‘›๐‘” ๐‘Ž๐‘ก ๐‘Ž๐‘”๐‘’ 30.
"๐‘ถ๐’๐’† ๐’๐’‡ ๐’‹๐’‚๐’›๐’›โ€™๐’” ๐’Ž๐’๐’”๐’• ๐’…๐’Š๐’”๐’•๐’Š๐’๐’„๐’•๐’Š๐’—๐’† ๐’‚๐’๐’… ๐’”๐’๐’–๐’ˆ๐’‰๐’•-๐’‚๐’‡๐’•๐’†๐’“ ๐’…๐’“๐’–๐’Ž๐’Ž๐’†๐’“๐’”..."
โ€” ๐‘ต๐‘ฌ๐‘พ ๐’€๐‘ถ๐‘น๐‘ฒ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ
"๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ฉ๐’๐’‚๐’…๐’† ๐’Š๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’‡๐’Š๐’๐’†๐’”๐’• ๐’…๐’“๐’–๐’Ž๐’Ž๐’†๐’“๐’” ๐’๐’‡ ๐’‰๐’Š๐’” ๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’•๐’Š๐’๐’โ€”๐’‰๐’†โ€™๐’” ๐’‚๐’• ๐’•๐’‰๐’† ๐’•๐’๐’‘ ๐’๐’‡ ๐’•๐’‰๐’† ๐’๐’Š๐’”๐’• ๐’˜๐’‰๐’†๐’•๐’‰๐’†๐’“ ๐’‘๐’๐’‚๐’š๐’Š๐’๐’ˆ ๐’˜๐’Š๐’•๐’‰ ๐’†๐’™๐’•๐’“๐’†๐’Ž๐’† ๐’”๐’†๐’๐’”๐’Š๐’•๐’Š๐’—๐’Š๐’•๐’š ๐’๐’“ ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’‡๐’–๐’๐’-๐’•๐’‰๐’“๐’๐’•๐’•๐’๐’†..."
โ€” ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ผ๐‘จ๐‘น๐‘ซ๐‘ฐ๐‘จ๐‘ต
โ€œ๐‘ซ๐’“๐’–๐’Ž๐’Ž๐’†๐’“, ๐’„๐’๐’Ž๐’‘๐’๐’”๐’†๐’“, ๐’ƒ๐’‚๐’๐’…๐’๐’†๐’‚๐’…๐’†๐’“: ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’…๐’” ๐’”๐’†๐’†๐’Ž ๐’Š๐’๐’‚๐’…๐’†๐’’๐’–๐’‚๐’•๐’†. ๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ฉ๐’๐’‚๐’…๐’† ๐’Š๐’” ๐’‚๐’ ๐’†๐’™๐’‘๐’†๐’“๐’Š๐’†๐’๐’„๐’†. ๐‘ณ๐’†๐’‚๐’—๐’Š๐’๐’ˆ ๐’‰๐’Š๐’” ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’† ๐’Š๐’Ž๐’‘๐’“๐’Š๐’๐’• ๐’๐’ ๐’‚ ๐’˜๐’Š๐’…๐’† ๐’”๐’˜๐’‚๐’•๐’‰ ๐’๐’‡ ๐’‹๐’‚๐’›๐’› ๐’‚๐’๐’… ๐’‘๐’๐’‘ ๐’๐’—๐’†๐’“ ๐’•๐’‰๐’† ๐’๐’‚๐’”๐’• 25 ๐’š๐’†๐’‚๐’“๐’”โ€ฆโ€
โ€” ๐‘ฑ๐‘จ๐’๐’ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ๐‘บ
โ€œ๐‘ป๐’‰๐’†๐’“๐’†'๐’” ๐’‚ ๐’“๐’†๐’‚๐’”๐’๐’ ๐’•๐’‰๐’‚๐’• ๐‘ฉ๐’“๐’Š๐’‚๐’ ๐‘ฉ๐’๐’‚๐’…๐’† ๐’‰๐’‚๐’” ๐’ƒ๐’†๐’†๐’ ๐’•๐’‰๐’† ๐’‡๐’Š๐’“๐’”๐’• ๐’„๐’‚๐’๐’ ๐’…๐’“๐’–๐’Ž๐’Ž๐’†๐’“ ๐’๐’‡ ๐’•๐’‰๐’† ๐’‹๐’‚๐’›๐’› ๐’˜๐’๐’“๐’๐’… ๐’‡๐’๐’“ ๐’•๐’‰๐’† ๐’‘๐’‚๐’”๐’• 20 ๐’š๐’†๐’‚๐’“๐’”. ๐‘ฏ๐’†'๐’” ๐’‚ ๐’Ž๐’‚๐’”๐’•๐’†๐’“โ€ฆ๐‘ฐ๐’•'๐’” ๐’‰๐’‚๐’“๐’… ๐’•๐’ ๐’‚๐’—๐’๐’Š๐’… ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’Š๐’๐’”๐’‘๐’Š๐’“๐’†๐’… ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’”๐’†๐’† ๐’‰๐’Š๐’Ž ๐’‘๐’๐’‚๐’šโ€ฆโ€
โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’
"๐‘ฐ๐’•'๐’” ๐’‚ ๐’‘๐’“๐’๐’‡๐’๐’–๐’๐’…๐’๐’š ๐’Š๐’Ž๐’‘๐’๐’“๐’•๐’‚๐’๐’• ๐’ƒ๐’‚๐’๐’… [๐‘ป๐’‰๐’† ๐‘ญ๐’†๐’๐’๐’๐’˜๐’”๐’‰๐’Š๐’‘ ๐‘ฉ๐’‚๐’๐’…], ๐’‚๐’๐’… ๐‘ฉ๐’๐’‚๐’…๐’† ๐’Š๐’” ๐’˜๐’Š๐’…๐’†๐’๐’š ๐’‚๐’„๐’Œ๐’๐’๐’˜๐’๐’†๐’…๐’ˆ๐’†๐’… ๐’‚๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’•๐’๐’‘ ๐’…๐’“๐’–๐’Ž๐’Ž๐’†๐’“๐’” ๐’Š๐’ ๐’‹๐’‚๐’›๐’›.โ€
โ€” ๐‘ซ๐‘ถ๐‘พ๐‘ต๐‘ฉ๐‘ฌ๐‘จ๐‘ป ๐‘ด๐‘จ๐‘ฎ๐‘จ๐’๐‘ฐ๐‘ต๐‘ฌ
โ€œ๐‘ณ๐’Š๐’”๐’•๐’†๐’๐’Š๐’๐’ˆ ๐’•๐’ ๐‘ฒ๐’Š๐’๐’ˆ๐’” ๐‘ฏ๐’Š๐’ˆ๐’‰๐’˜๐’‚๐’š ๐’๐’๐’† ๐’„๐’‚๐’ ๐’‡๐’†๐’†๐’ ๐’•๐’‰๐’Š๐’” ๐’‡๐’†๐’๐’๐’๐’˜๐’”๐’‰๐’Š๐’‘ [๐‘ป๐’‰๐’† ๐‘ญ๐’†๐’๐’๐’๐’˜๐’”๐’‰๐’Š๐’‘ ๐‘ฉ๐’‚๐’๐’…], ๐’•๐’‰๐’† ๐’”๐’๐’๐’Š๐’…๐’‚๐’“๐’Š๐’•๐’š ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’–๐’”๐’Š๐’„๐’Š๐’‚๐’๐’”, ๐’•๐’‰๐’†๐’Š๐’“ ๐’”๐’†๐’๐’”๐’† ๐’๐’‡ ๐’‘๐’–๐’“๐’‘๐’๐’”๐’† ๐’•๐’ ๐’‚๐’„๐’‰๐’Š๐’†๐’—๐’† ๐’‚ ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ ๐’•๐’‰๐’‚๐’• ๐’ˆ๐’๐’†๐’” ๐’ƒ๐’†๐’š๐’๐’๐’… ๐’•๐’‰๐’† ๐’๐’๐’•๐’†๐’” ๐’๐’“ ๐’•๐’‰๐’† ๐’•๐’†๐’„๐’‰๐’๐’Š๐’„๐’‚๐’ ๐’‚๐’ƒ๐’Š๐’๐’Š๐’•๐’Š๐’†๐’” ๐’๐’‡ ๐’•๐’‰๐’† ๐’Š๐’๐’…๐’Š๐’—๐’Š๐’…๐’–๐’‚๐’ ๐’‘๐’๐’‚๐’š๐’†๐’“๐’”. ๐‘ต๐’๐’• ๐’‚๐’๐’ ๐’‹๐’‚๐’›๐’› ๐’Š๐’” ๐’๐’Š๐’Œ๐’† ๐’•๐’‰๐’Š๐’”.โ€
โ€” ๐‘จ๐‘ณ๐‘ณ ๐‘จ๐‘ฉ๐‘ถ๐‘ผ๐‘ป ๐‘ฑ๐‘จ๐’๐’ (2023 ๐‘จ๐’๐’ƒ๐’–๐’Ž ๐‘น๐’†๐’—๐’Š๐’†๐’˜ โ€“ โ€˜๐‘ฒ๐’Š๐’๐’ˆโ€™๐’” ๐‘ฏ๐’Š๐’ˆ๐’‰๐’˜๐’‚๐’šโ€™)
๐“๐ข๐œ๐ค๐ž๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐๐ž๐ฐ ๐Ž๐ซ๐ฅ๐ž๐š๐ง๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐Œ๐š๐ซ๐ค๐ž๐ญ ๐’๐ก๐จ๐ฐ๐ฌ ๐œ๐š๐ง ๐›๐ž ๐Ÿ๐จ๐ฎ๐ง๐ ๐š๐ญ: https://jazzandbluesmarket.com/events/
Nแด‡แดก Oส€สŸแด‡แด€ษดs Jแด€แดขแดข & BสŸแดœแด‡s Mแด€ส€แด‹แด‡แด› แด๊œฐ๊œฐแด‡ส€s Wแดส€สŸแด…-Rแด‡ษดแดแดกษดแด‡แด… & Aแดกแด€ส€แด…-Wษชษดษดษชษดษข Mแดœsษชแด„ษชแด€ษดs, Nแด‡แดก Pส€แด‡แดษชแดœแด Sแดแดœษดแด… & Lษชษขสœแด›ษชษดษข Tแด‡แด„สœษดแดสŸแดษขษชแด‡s, Sษชษขษดแด€แด›แดœส€แด‡ Cแดแด„แด‹แด›แด€ษชสŸs & Dส€ษชษดแด‹s, Pส€ษชแด แด€แด›แด‡ Vแด€สŸแด‡แด› Pแด€ส€แด‹ษชษดษข, แด€s แดกแด‡สŸสŸ แด€s Lแด‡ษขแด‡ษดแด…แด€ส€ส Lษชแด แด‡ Pแด‡ส€๊œฐแดส€แดแด€ษดแด„แด‡s, แด€ษดแด… Oแดœแด›sแด›แด€ษดแด…ษชษดษข Mแด‡แดแดส€แด€ส™สŸแด‡ Exแด˜แด‡ส€ษชแด‡ษดแด„แด‡s!
๐Ÿ’๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ๐Ÿ‘๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐ƒ๐ซ๐ฎ๐ฆ๐ฆ๐ž๐ซ, ๐‚๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ & ๐๐š๐ง๐๐ฅ๐ž๐š๐๐ž๐ซ ๐๐‘๐ˆ๐€๐ ๐๐‹๐€๐ƒ๐„ ๐ข๐ฌ ๐ž๐š๐ฌ๐ข๐ฅ๐ฒ ๐จ๐ง๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฆ๐จ๐ฌ๐ญ ๐ฏ๐ž๐ซ๐ฌ๐š๐ญ๐ข๐ฅ๐ž ๐š๐ง๐ ๐ฌ๐จ๐ฎ๐ฅ๐Ÿ๐ฎ๐ฅ ๐ฆ๐ฎ๐ฌ๐ข๐œ๐ข๐š๐ง๐ฌ ๐ข๐ง ๐ฃ๐š๐ณ๐ณ. In addition to The Fellowship Band, since 2000 Blade has also been a member of jazz legend Wayne Shorter's quartet. Blade grew up listening to Shorter's albums and started playing with Shorter at 30 years old.
๐๐ซ๐ข๐š๐ง ๐๐ฅ๐š๐๐ž & ๐“๐ก๐ž ๐…๐ž๐ฅ๐ฅ๐จ๐ฐ๐ฌ๐ก๐ข๐ฉ ๐๐š๐ง๐ ๐ซ๐ž๐œ๐ž๐ง๐ญ๐ฅ๐ฒ ๐œ๐ž๐ฅ๐ž๐›๐ซ๐š๐ญ๐ž๐ ๐ญ๐ก๐ž๐ข๐ซ ๐Ÿ๐Ÿ“๐ญ๐ก ๐ฒ๐ž๐š๐ซ ๐š๐ง๐ง๐ข๐ฏ๐ž๐ซ๐ฌ๐š๐ซ๐ฒ. In 2017, they released their sublime and acclaimed fifth album, โ€˜Body and Shadowโ€™, a succinct nine-track meditation on lightness/darkness that arrives like a balm for the soul, ebbing and flowing with grace, subtlety and no shortness of beauty. In 2023, they released their critically acclaimed 6th album, โ€˜Kingโ€™s Highwayโ€™, to rave reviews.
๐…๐จ๐ซ๐ฆ๐ž๐ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ•, ๐๐ซ๐ข๐š๐ง ๐๐ฅ๐š๐๐ž & ๐“๐ก๐ž ๐…๐ž๐ฅ๐ฅ๐จ๐ฐ๐ฌ๐ก๐ข๐ฉ ๐๐š๐ง๐ ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐ญ๐ก๐ž๐ข๐ซ ๐ž๐ฉ๐จ๐ง๐ฒ๐ฆ๐จ๐ฎ๐ฌ ๐๐ฅ๐ฎ๐ž ๐๐จ๐ญ๐ž ๐๐ž๐›๐ฎ๐ญ ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ—๐Ÿ–, ๐›๐ฎ๐ญ ๐ญ๐ก๐ž ๐›๐จ๐ง๐ ๐š๐ฆ๐จ๐ง๐  ๐ญ๐ก๐ž ๐ฆ๐ฎ๐ฌ๐ข๐œ๐ข๐š๐ง๐ฌ ๐ ๐จ๐ž๐ฌ ๐›๐š๐œ๐ค ๐ž๐ฏ๐ž๐ง ๐Ÿ๐ฎ๐ซ๐ญ๐ก๐ž๐ซ. Brian Blade, the bandโ€™s namesake and drummer, first met pianist Jon Cowherd in 1988 while attending Loyola University in New Orleans, and they met bassist Chris Thomas in the Crescent City a year later. With Myron Walden (Alto Saxophone and Bass Clarinet) and Melvin Butler (Tenor Saxophone) the Fellowship Band bond was unified - โ€œwe think of the band as a collective instrument,โ€ Cowherd says.
๐๐ซ๐ข๐š๐ง ๐๐ฅ๐š๐๐ž & ๐“๐ก๐ž ๐…๐ž๐ฅ๐ฅ๐จ๐ฐ๐ฌ๐ก๐ข๐ฉ ๐๐š๐ง๐ ๐ก๐š๐ฏ๐ž ๐ซ๐ž๐ฅ๐ž๐š๐ฌ๐ž๐ ๐ฌ๐ข๐ฑ ๐œ๐ซ๐ข๐ญ๐ข๐œ๐š๐ฅ๐ฅ๐ฒ ๐š๐œ๐œ๐ฅ๐š๐ข๐ฆ๐ž๐ ๐š๐ฅ๐›๐ฎ๐ฆ๐ฌ: 'Brian Blade Fellowship' (1998), 'Perceptual' (2000), 'Season of Changes' (2008), 'Landmarks' (2014), 'Body and Shadow' (2017), and 'Kings Highway' (2023).
๐‘ฉ๐’๐’‚๐’…๐’† ๐’†๐’‚๐’“๐’๐’†๐’… ๐’‰๐’Š๐’” ๐’Ž๐’๐’”๐’• ๐’“๐’†๐’„๐’†๐’๐’• ๐‘ฎ๐‘น๐‘จ๐‘ด๐‘ด๐’€ยฎ ๐‘จ๐’˜๐’‚๐’“๐’… ๐’‡๐’๐’“ "๐‘ฉ๐’†๐’”๐’• ๐‘ฑ๐’‚๐’›๐’› ๐‘ฐ๐’๐’”๐’•๐’“๐’–๐’Ž๐’†๐’๐’•๐’‚๐’ ๐‘จ๐’๐’ƒ๐’–๐’Ž" ๐’‡๐’๐’“ '๐‘ป๐’“๐’Š๐’๐’๐’ˆ๐’š 2' ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’‚ ๐’๐’Š๐’—๐’† ๐’‚๐’๐’ƒ๐’–๐’Ž ๐’ƒ๐’š ๐‘ช๐’‰๐’Š๐’„๐’Œ ๐‘ช๐’๐’“๐’†๐’‚ ๐’˜๐’Š๐’•๐’‰ ๐‘ช๐’‰๐’“๐’Š๐’”๐’•๐’Š๐’‚๐’ ๐‘ด๐’„๐‘ฉ๐’“๐’Š๐’…๐’†. ๐‘ฐ๐’• ๐’˜๐’‚๐’” ๐’‡๐’Š๐’“๐’”๐’• ๐’“๐’†๐’๐’†๐’‚๐’”๐’†๐’… ๐’Š๐’ 2018 ๐’Š๐’ ๐‘ฑ๐’‚๐’‘๐’‚๐’ ๐’๐’ ๐’•๐’‰๐’† ๐‘ผ๐’๐’Š๐’—๐’†๐’“๐’”๐’‚๐’ ๐‘ด๐’–๐’”๐’Š๐’„ ๐’๐’‚๐’ƒ๐’†๐’, ๐’‚๐’๐’… ๐’Š๐’ 2019 ๐’ƒ๐’š ๐‘ช๐’๐’๐’„๐’๐’“๐’… ๐‘น๐’†๐’„๐’๐’“๐’…๐’”.
๐ด๐‘›๐‘‘ ๐‘ ๐‘œ๐‘š๐‘’ ๐‘–๐‘›๐‘“๐‘œ๐‘Ÿ๐‘š๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘œ๐‘› ๐‘๐‘’๐‘Ÿโ„Ž๐‘Ž๐‘๐‘  ๐‘กโ„Ž๐‘’ ๐‘๐‘’๐‘ ๐‘ก ๐ฝ๐‘Ž๐‘ง๐‘ง ๐ท๐‘Ÿ๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ ๐‘–๐‘› ๐‘กโ„Ž๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘™๐‘‘ ๐‘ก๐‘œ๐‘‘๐‘Ž๐‘ฆ, ๐ต๐‘Ÿ๐‘–๐‘Ž๐‘› ๐ต๐‘™๐‘Ž๐‘‘๐‘’โ€ฆ
๐๐จ๐ซ๐ง ๐ข๐ง ๐Ÿ๐Ÿ—๐Ÿ•๐ŸŽ ๐ข๐ง ๐’๐ก๐ซ๐ž๐ฏ๐ž๐ฉ๐จ๐ซ๐ญ, ๐‹๐จ๐ฎ๐ข๐ฌ๐ข๐š๐ง๐š, ๐๐ฅ๐š๐๐ž ๐ฐ๐š๐ฌ ๐ข๐ง๐ข๐ญ๐ข๐š๐ฅ๐ฅ๐ฒ ๐ž๐ฑ๐ฉ๐จ๐ฌ๐ž๐ ๐ญ๐จ ๐ฆ๐ฎ๐ฌ๐ข๐œ ๐š๐ญ ๐ญ๐ก๐ž ๐™๐ข๐จ๐ง ๐๐š๐ฉ๐ญ๐ข๐ฌ๐ญ ๐‚๐ก๐ฎ๐ซ๐œ๐ก, ๐ฐ๐ก๐ž๐ซ๐ž ๐ก๐ข๐ฌ ๐Ÿ๐š๐ญ๐ก๐ž๐ซ ๐ฐ๐š๐ฌ ๐ญ๐ก๐ž ๐ฉ๐š๐ฌ๐ญ๐จ๐ซ. At elementary school he took up the violin. However, inspired by his older brother who played drums at church, he eventually switched to that instrument, playing drums and percussion throughout his middle and high school years. It was during high school that he also began investigating jazz, listening to artists like Elvin Jones, Art Blakey, Philly Joe Jones, Tony Williams, and sundry other influential drummers. After high school, he moved to New Orleans where he further honed his skills attending both Loyola University and New Orleans University. There, he gained valuable experience performing with artists like Ellis Marsalis, Alvin Red Tyler, and Harold Battiste. He also sought out local mentors, studying David Lee, as well as highly respected drummer and second-line master Johnny Vidacovich, who keyed Blade into other New Orleans luminaries like Ernie Elly, Herlin Riley, and Herman Lebo.
๐ˆ๐ง ๐Ÿ๐ŸŽ๐ŸŽ๐ŸŽ, ๐ก๐ž ๐ฃ๐จ๐ข๐ง๐ž๐ ๐ฌ๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ Wayne Shorter'๐ฌ ๐›๐š๐ง๐, ๐š๐ง๐ ๐Ÿ๐ฎ๐ซ๐ญ๐ก๐ž๐ซ ๐๐ž๐ฏ๐ž๐ฅ๐จ๐ฉ๐ž๐ ๐ก๐ข๐ฌ ๐ฌ๐จ๐ฎ๐ง๐, ๐ฉ๐ฅ๐š๐ฒ๐ข๐ง๐  ๐ซ๐ž๐ ๐ฎ๐ฅ๐š๐ซ๐ฅ๐ฒ ๐ฐ๐ข๐ญ๐ก ๐ก๐ข๐ฌ ๐›๐š๐ง๐๐ฆ๐š๐ญ๐ž๐ฌ ๐›๐š๐ฌ๐ฌ๐ข๐ฌ๐ญ ๐‰๐จ๐ก๐ง ๐๐š๐ญ๐ข๐ญ๐ฎ๐œ๐œ๐ข ๐š๐ง๐ ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ ๐ƒ๐š๐ง๐ข๐ฅ๐จ ๐๐ž๐ซ๐ž๐ณ. Together, they helped shepherd in a renewed period of creative energy for Shorter, issuing albums like 2002's โ€˜Footprints Live!โ€™, 2003's GRAMMYยฎ Award-Winning โ€˜Alegriaโ€™, and 2005's โ€˜Beyond the Sound Barrierโ€™, for which Blade also picked up a GRAMMYยฎ Award. Around the same time, he also contributed to John Patitucci's GRAMMYยฎ Award Nominated โ€˜Remembranceโ€™ and appeared on albums by David Binney, Scott Colley, Myron Walden, and others.
๐ผ๐‘› 2012, ๐‘กโ„Ž๐‘’ ๐‘Ž๐‘™๐‘๐‘ข๐‘š โ€˜๐‘„๐‘ข๐‘–๐‘ฃ๐‘’๐‘Ÿโ€™, ๐‘ค๐‘–๐‘กโ„Ž ๐‘”๐‘ข๐‘–๐‘ก๐‘Ž๐‘Ÿ๐‘–๐‘ ๐‘ก ๐ต๐‘–๐‘™๐‘™ ๐น๐‘Ÿ๐‘–๐‘ ๐‘’๐‘™๐‘™ ๐‘Ž๐‘›๐‘‘ ๐‘๐‘œ๐‘Ÿ๐‘›๐‘’๐‘ก๐‘–๐‘ ๐‘ก ๐‘…๐‘œ๐‘› ๐‘€๐‘–๐‘™๐‘’๐‘ , ๐‘’๐‘Ž๐‘Ÿ๐‘›๐‘’๐‘‘ ๐ต๐‘™๐‘Ž๐‘‘๐‘’ ๐บ๐‘’๐‘Ÿ๐‘š๐‘Ž๐‘›๐‘ฆ'๐‘  ๐ธ๐ถ๐ป๐‘‚ ๐ฝ๐‘Ž๐‘ง๐‘ง ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘“๐‘œ๐‘Ÿ โ€œ๐ผ๐‘›๐‘ก๐‘’๐‘Ÿ๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘›๐‘Ž๐‘™ ๐ด๐‘Ÿ๐‘ก๐‘–๐‘ ๐‘ก ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘Œ๐‘’๐‘Ž๐‘Ÿ ๐ท๐‘Ÿ๐‘ข๐‘š๐‘ /๐‘ƒ๐‘’๐‘Ÿ๐‘๐‘ข๐‘ ๐‘ ๐‘–๐‘œ๐‘›.โ€
๐ˆ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ‘, ๐๐ฅ๐š๐๐ž ๐ฃ๐จ๐ข๐ง๐ž๐ ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ ๐‚๐ก๐ข๐œ๐ค ๐‚๐จ๐ซ๐ž๐š'๐ฌ ๐ญ๐ซ๐ข๐จ ๐ฐ๐ข๐ญ๐ก ๐›๐š๐ฌ๐ฌ๐ข๐ฌ๐ญ ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐ข๐š๐ง ๐Œ๐œ๐๐ซ๐ข๐๐ž. ๐“๐ก๐ž ๐ ๐ซ๐จ๐ฎ๐ฉ'๐ฌ ๐๐ž๐›๐ฎ๐ญ, โ€˜๐“๐ซ๐ข๐ฅ๐จ๐ ๐ฒโ€™, ๐ฉ๐ž๐š๐ค๐ž๐ ๐š๐ญ #๐Ÿ— ๐จ๐ง ๐ญ๐ก๐ž ๐๐ข๐ฅ๐ฅ๐›๐จ๐š๐ซ๐ ๐‰๐š๐ณ๐ณ ๐€๐ฅ๐›๐ฎ๐ฆ๐ฌ ๐œ๐ก๐š๐ซ๐ญ ๐š๐ง๐ ๐ฐ๐จ๐ง ๐ญ๐ก๐ž ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐Ÿ๐จ๐ซ โ€œ๐๐ž๐ฌ๐ญ ๐ˆ๐ง๐ฌ๐ญ๐ซ๐ฎ๐ฆ๐ž๐ง๐ญ๐š๐ฅ ๐‰๐š๐ณ๐ณ ๐€๐ฅ๐›๐ฎ๐ฆโ€. The drummer then re-signed with Blue Note in a cooperative deal with the Shreveport, Louisiana-based Mid-City Records.
๐ˆ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ•, ๐๐ฅ๐š๐๐ž ๐Ÿ๐จ๐ซ๐ฆ๐ž๐ ๐ฒ๐ž๐ญ ๐š๐ง๐จ๐ญ๐ก๐ž๐ซ ๐ญ๐ซ๐ข๐จ, ๐ซ๐ž๐ฎ๐ง๐ข๐ญ๐ข๐ง๐  ๐ฐ๐ข๐ญ๐ก ๐ก๐ข๐ฌ ๐Ÿ๐ž๐ฅ๐ฅ๐จ๐ฐ ๐ฌ๐ข๐๐ž๐ฆ๐ž๐ง ๐ข๐ง ๐–๐š๐ฒ๐ง๐ž ๐’๐ก๐จ๐ซ๐ญ๐ž๐ซ'๐ฌ ๐ช๐ฎ๐š๐ซ๐ญ๐ž๐ญ, ๐ฉ๐ข๐š๐ง๐ข๐ฌ๐ญ ๐๐ž๐ซ๐ž๐ณ ๐š๐ง๐ ๐›๐š๐ฌ๐ฌ๐ข๐ฌ๐ญ ๐‰๐จ๐ก๐ง ๐๐š๐ญ๐ข๐ญ๐ฎ๐œ๐œ๐ข, ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐ฌ๐ญ๐ฎ๐๐ข๐จ ๐๐š๐ญ๐ž โ€˜๐‚๐ก๐ข๐ฅ๐๐ซ๐ž๐ง ๐จ๐Ÿ ๐ญ๐ก๐ž ๐‹๐ข๐ ๐ก๐ญโ€™ ๐จ๐ง ๐Œ๐š๐œ๐ค ๐€๐ฏ๐ž๐ง๐ฎ๐ž. During the same season, Blade's Fellowship released โ€˜Body and Shadowโ€™ on Blue Note. Recorded in the historic Columbus Theatre in Providence, Rhode Island, the album was co-written, arranged, and produced by Blade and longtime collaborator pianist Cowherd.
๐ˆ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ–, ๐๐ฅ๐š๐๐ž ๐ฃ๐จ๐ข๐ง๐ž๐ ๐ฌ๐š๐ฑ๐จ๐ฉ๐ก๐จ๐ง๐ข๐ฌ๐ญ ๐‰๐จ๐ฌ๐ก๐ฎ๐š ๐‘๐ž๐๐ฆ๐š๐ง ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐ช๐ฎ๐š๐ซ๐ญ๐ž๐ญ ๐š๐ฅ๐›๐ฎ๐ฆ โ€˜๐’๐ญ๐ข๐ฅ๐ฅ ๐ƒ๐ซ๐ž๐š๐ฆ๐ข๐ง๐ โ€™, and in 2019 joined bassist Jeff Denson and guitarist Romain Pilon for the trio album โ€˜Between Two Worldsโ€™. In 2020, he was back with Joshua Redman for a reunion of the saxophonist's '90s quartet with bassist Christian McBride and pianist Brad Mehldau on โ€˜RoundAgainโ€™.
๐ผ๐‘› 2022, ๐ต๐‘™๐‘Ž๐‘‘๐‘’ ๐‘Ž๐‘™๐‘œ๐‘›๐‘” ๐‘ค๐‘–๐‘กโ„Ž ๐ฝ๐‘œ๐‘ โ„Ž๐‘ข๐‘Ž ๐‘…๐‘’๐‘‘๐‘š๐‘Ž๐‘›, ๐ต๐‘Ÿ๐‘Ž๐‘‘ ๐‘€๐‘’โ„Ž๐‘™๐‘‘๐‘Ž๐‘ข & ๐ถโ„Ž๐‘Ÿ๐‘–๐‘ ๐‘ก๐‘–๐‘Ž๐‘› ๐‘€๐‘๐ต๐‘Ÿ๐‘–๐‘‘๐‘’ ๐‘Ÿ๐‘’๐‘™๐‘’๐‘Ž๐‘ ๐‘’๐‘‘ ๐‘กโ„Ž๐‘’ ๐‘Ž๐‘๐‘๐‘™๐‘Ž๐‘–๐‘š๐‘’๐‘‘ ๐‘Ž๐‘™๐‘๐‘ข๐‘š '๐ฟ๐‘œ๐‘›๐‘”๐บ๐‘œ๐‘›๐‘’โ€™ ๐‘คโ„Ž๐‘–๐‘โ„Ž ๐‘Ÿ๐‘’๐‘๐‘’๐‘–๐‘ฃ๐‘’๐‘‘ ๐‘Ž ๐บ๐‘…๐ด๐‘€๐‘€๐‘Œยฎ ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘๐‘œ๐‘š๐‘–๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘“๐‘œ๐‘Ÿ โ€œ๐ต๐‘’๐‘ ๐‘ก ๐ฝ๐‘Ž๐‘ง๐‘ง ๐ผ๐‘›๐‘ ๐‘ก๐‘Ÿ๐‘ข๐‘š๐‘’๐‘›๐‘ก๐‘Ž๐‘™ ๐ด๐‘™๐‘๐‘ข๐‘šโ€.
๐“๐ข๐œ๐ค๐ž๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐Ÿ’๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐-๐–๐ข๐ง๐ง๐ž๐ซ & ๐Ÿ๐Ÿ‘๐ฑ-๐†๐‘๐€๐Œ๐Œ๐˜ยฎ ๐€๐ฐ๐š๐ซ๐ ๐๐จ๐ฆ๐ข๐ง๐š๐ญ๐ž๐ ๐ƒ๐ซ๐ฎ๐ฆ๐ฆ๐ž๐ซ, ๐‚๐จ๐ฆ๐ฉ๐จ๐ฌ๐ž๐ซ & ๐๐š๐ง๐๐ฅ๐ž๐š๐๐ž๐ซ ๐๐‘๐ˆ๐€๐ ๐๐‹๐€๐ƒ๐„ & ๐“๐‡๐„ ๐…๐„๐‹๐‹๐Ž๐–๐’๐‡๐ˆ๐ ๐๐€๐๐ƒ at the New Orleans Jazz & Blues Market on ๐“๐ก๐ฎ๐ซ๐ฌ๐๐š๐ฒ ๐š๐ง๐ ๐…๐ซ๐ข๐๐š๐ฒ ๐Ž๐œ๐ญ๐จ๐›๐ž๐ซ ๐Ÿ‘๐ŸŽ & ๐Ÿ‘๐Ÿ ๐š๐ญ ๐Ÿ• & ๐Ÿ—:๐Ÿ‘๐ŸŽ ๐.๐Œ. are NOW On-Sale on Ticketmaster, Facebook Events at:
https://www.facebook.com/share/19MEJJj7pk/ (THU at 7 PM) and https://www.facebook.com/share/1Cit2SCp4W/ (THU at 9:30 PM) and https://www.facebook.com/share/16tQUSTb6o/ (FRI at 7 PM) and https://www.facebook.com/share/1B4SMesumE/ (FRI at 9:30 PM) and the New Orleans Jazz & Blues Market Website at: https://jazzandbluesmarket.com/events/list/?tribe-bar-search=Brian+Blade - ๐‘ซ๐’๐’๐’“๐’” ๐‘ถ๐’‘๐’†๐’ 2 ๐‘ฏ๐’๐’–๐’“๐’” ๐’ƒ๐’†๐’‡๐’๐’“๐’† ๐’•๐’‰๐’† 1๐’”๐’• ๐‘บ๐’‰๐’๐’˜ ๐’‚๐’๐’… 1 ๐’‰๐’๐’–๐’“ ๐’ƒ๐’†๐’‡๐’๐’“๐’† ๐’•๐’‰๐’† 2๐’๐’… ๐‘บ๐’‰๐’๐’˜!!
๐๐ฅ๐ž๐š๐ฌ๐ž ๐Ÿ๐จ๐ฅ๐ฅ๐จ๐ฐ ๐ฎ๐ฌ ๐จ๐ง ๐ˆ๐ง๐ฌ๐ญ๐š๐ ๐ซ๐š๐ฆ ๐š๐ญ: https://www.instagram.com/jazzbluesmarket/
๐€๐ฅ๐ฅ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐๐ž๐ฐ ๐Ž๐ซ๐ฅ๐ž๐š๐ง๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐Œ๐š๐ซ๐ค๐ž๐ญ ๐’๐ก๐จ๐ฐ๐ฌ & ๐„๐ฏ๐ž๐ง๐ญ๐ฌ ๐œ๐š๐ง ๐›๐ž ๐Ÿ๐จ๐ฎ๐ง๐ ๐š๐ญ: https://jazzandbluesmarket.com/events/ - ๐‘ถ๐‘ผ๐‘ป๐‘บ๐‘ป๐‘จ๐‘ต๐‘ซ๐‘ฐ๐‘ต๐‘ฎ 2025 ๐‘บ๐‘ฏ๐‘ถ๐‘พ๐‘บ ๐‘ถ๐‘ต-๐‘บ๐‘จ๐‘ณ๐‘ฌ ๐‘ต๐‘ถ๐‘พ!!
๐’๐ข๐ ๐ง-๐ฎ๐ฉ ๐Ÿ๐จ๐ซ ๐ญ๐ก๐ž ๐๐ž๐ฐ ๐Ž๐ซ๐ฅ๐ž๐š๐ง๐ฌ ๐‰๐š๐ณ๐ณ & ๐๐ฅ๐ฎ๐ž๐ฌ ๐Œ๐š๐ซ๐ค๐ž๐ญ ๐„๐ฆ๐š๐ข๐ฅ ๐๐ž๐ฐ๐ฌ๐ฅ๐ž๐ญ๐ญ๐ž๐ซ ๐š๐ญ: www.jazzandbluesmarket.com/subscribe to stay informed on Upcoming Shows, New Artist Announcements, Promotional Offers, Ticket On-Sale Dates, Special Performances, and much more!! Thank you!!
๐๐‘๐ˆ๐•๐€๐“๐„ ๐„๐•๐„๐๐“๐’, ๐‚๐Ž๐‘๐๐Ž๐‘๐€๐“๐„ ๐„๐•๐„๐๐“๐’ & ๐–๐„๐ƒ๐ƒ๐ˆ๐๐†๐’. The New Orleans Jazz & Blues Market offers a spectacular venue to host important corporate functions, weddings, intimate or large-scale social gatherings, private parties, and memorable celebrations!! If interested, please email: [email protected].
#NewOrleansJazzAndBluesMarket #NOLA #NewOrleans #JazzBluesMarket #JazzClub #Jazz #JazzMusic #Drums #Drummer #BrianBlade #LiveBand #LiveMusic #Cocktails #Music #MusicLover #LegendaryLivePerformances
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New Orleans Jazz Market, 1436 Oretha Castle Haley Blvd, New Orleans, LA 70113-1222, United States

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Joe Arden My Soul To Take: Undead at Le Petit Theatre
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Haunted Halloween Weekend Pass 2025 \u2013 New Orleans
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Halloween Nightlife Crawl New Orleans 2025
Fri, 31 Oct at 07:30 pm Halloween Nightlife Crawl New Orleans 2025

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