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Eloquently blending synth-folk, moody pop, and soaring vocal harmonies, Babes In Canyon crafts music that is eminently engaging and very much of the moment. Born of a spontaneous writing session during a blackout, their debut EPs Second Cities & Year To Live unfold with an easy grace that belies the relative newness of the endeavor. As one of the founding members of the indie-pop band Kuinka, Nathan Hamer honed his skills as a singer-songwriter through years of national headlining tours and festival performances. Yet, Hamer felt a calling to explore a new path. “I wanted to start a project that explored the outer edges of folk music, that pushed what I love about folk and americana song structures into a new soundscape.” Fate must have been listening, and soon a severe windstorm stranded Hamer and partner Amanda Ebert in a remote cabin near Washington’s Mount Baker. “We lost power and then the trees started to fall. Our only path out was blocked, so we started playing music by firelight to calm our nerves,” laughs Hamer. “I was humming along with my baritone uke. Amanda wrote out lyrics. And by the end of the night, we had our first song for Babes In Canyon.” A brace of songs in hand, the duo enlisted Michelle Nuño to track bass on their debut record, then headed to Hamer’s farmhouse to be close to nature, converting the bottom floor into a proper recording studio. Joining the band was vaunted producer & engineer Jerry Streeter (Brandi Carlile, The Lumineers). “We recorded at night.” explains Hamer, “We’d step out between takes to watch the stars and listen to the owls.” Hitting the road for a spate of tours, festivals, and live performances, the duo conjure up layered soundscapes, “looping keys, beats, percussion effortlessly in an electric, raucous live performance” (Atwood Magazine). While thematically linked, each song by the band is laced with a strong sense of transition and individuality. “We try to create a sonic landscape of standing on a mountain just after a storm,” says Hamer, “when the first beams of sunlight start to break through the clouds.” With their first two EPs and latest single receiving praise from the likes of Under The Radar, Magnet, and Atwood Magazine, Babes In Canyon’s debut album “The New Loud” is set to release in 2025. Genre-defying, expertly arranged, and profoundly catchy, Babes In Canyon stands ready to soundtrack your adventures - spontaneous or otherwise.Emerging from the majestic landscapes of the Canadian Rockies, Shred Kelly is a powerhouse band that seamlessly blends elements of alternative, folk, and rock music. With a captivating live act that leaves audiences in awe, they have become a mainstay in the Canadian music scene. But it's not just their energetic performances that set them apart—Shred Kelly's heartfelt songwriting strikes a chord with listeners, connecting deeply as each band member brings their eclectic musical influences to the table, shaping the group's unique musical direction.
With an impressive track record of touring across Canada, the United States, Europe, and the UK, Shred Kelly has made appearances at renowned festivals such as Kaslo Jazz, Ottawa Blues Fest, Winnipeg Folk Fest, SXSW, Reeperbahn and many more. Furthermore, the band has shared stages with esteemed acts such as The Dead South, Elliott Brood, and The Cave Singers, leading to their reputation as a dynamic live act whose show is described as a joyous celebration of life.
With a fervent commitment to their craft, Shred Kelly has garnered praise from critics in Canada and beyond, earning Spotify Editorial Playlisting, international radio play, and regular rotation on influential platforms such as Sirius XM and Radio Eins in Berlin. Nominated for Rock Artist of the Year at The 2021 Western Canadian Music Awards, Shred Kelly's ascent shows no signs of slowing down as they prepare to release their highly anticipated sixth studio album, produced by the acclaimed Nygel Asselin.
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Event Venue & Nearby Stays
202 E. Holly Street , 98225, 202 E Holly St, Bellingham, WA 98225-4755, United States,Bellingham, Washington
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