Name: Bel Air, Maryland: Amoss Center
Start: 2025-10-26T15:00:00-04:00
Location: Hartford Community College

The duo credits their show’s popularity to the timeless songs of Conway and Loretta — duets like “After the Fire Is Gone” and “You’re the Reason Our Kids Are Ugly” are all in the set, along with Conway and Loretta solo hits like “Hello, Darlin’” and “Coal Miner’s Daughter.”
But they’re also giving audiences a chance to relive a moment in time that ended far too soon: Conway and Loretta stopped touring together full-time in 1981, and Conway died in 1993.
“Conway has been gone 30 years,” Tre says. “Had Poppy lived, I think there would have been a great second act for him and Loretta. There’s a lot of people that wanted to see that, and we’re able to let them hear those songs and stories again.”
Tre and Tayla are busy forging their own artistic identities too. The duo has an album of originals (and a few covers) on the way. With Tayla as chief songwriter, she and Tre have written songs for the project with Jeffrey Steele, Mark Narmore, Shelly Fairchild, and their producer Scott Baggett.
“We’re at a great time in country music and Americana, where artists like Miranda Lambert, Margo Price, and all these funky country singers are embracing the Seventies style of Conway and Loretta. So when I’m writing, I’m drawn to that,” Tayla says. “We’re in a prime time to be doing our type of music.”
The pair also released a smoldering cover of Bruce Springsteen’s “I’m on Fire” in 2022, with a haunting music video filmed on the New Jersey shore, and cut a version of Conway and Loretta’s “Feelins’” — recorded the day after Loretta died last year. The raw emotion in the song is palpable.
“It wasn’t planned out,” Tre says. “We were going into the studio to record our original tracks and Memaw had died the day before. So we said, ‘Let’s do one of her songs with Conway.’ There was this emotion in the room that we just couldn’t ignore.”
Honest emotion, along with Tre and Tayla’s innate chemistry, is what defines their onstage performances. Whether they’re singing to each other or interacting with the audience, there’s an easygoing authenticity that comes across. Tayla even talks to the crowd about her sobriety, sharing a personal tale of struggle and redemption.
In the end, though, their goal is to entertain while, at the same time, honoring their grandparents. Tre is lobbying for Conway, already a member of the Country Music Hall of Fame, to be inducted into the Rock & Roll Hall of Fame, and Tayla is working on preserving not just Loretta’s music but her fashion: she wore one of her grandmother’s outfits onstage at the Opry.
“Conway and Loretta used to do everything with so much passion: the way they dressed, the way they recorded, the way they performed,” Tayla says. “We want to bring that to fans who were lucky enough to see our grandparents before and to those who are just learning about them.”
“Our show gives people an idea of what Loretta and Conway were like through their grandchildren’s eyes,” adds Tre. “It’s a special gift to keep that flame burning.”