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📸 Julie Hrncirova
Batty Bwoy is a solo which doesn’t start with a question, or a critique, but from a place of play and desire, entangled in violence and charming cruelty. Through a reappropriation of the Jamaican term “Batty Bwoy” (literally, butt boy), slang for a queer person, the work twists and turns the myths of the black queer body unfolding vulnerable possibilities in an interplay of consciousness and naivety.
Scrutinizing the absurdity of a queer monstrosity, Batty Bwoy articulates through the porosity of bodies and languages, their mouths swallowing and regurgitating the corporal fictions projected onto their skins.
In an odyssey of droning prog-rock, Batty Bwoy attacks and embraces sedimented narratives around the fear of the queer body as a perverse and deviant figure. The expression “Batty Bwoy” is used to evoke an ambivalent creature that exists in the threshold of the precarious body, liberated power, joy, and batty energy! The work has found inspiration in mythologies, disgusting stereotypes, feelings, and fantasies of the queer body and identities, homophobic dancehall lyrics, 70s Giallo films from Italy, resilient “gully queens,” and queer voices in Norway and Jamaica that have visited and taken part of the process.
About the artist:
Harald Beharie(he/they) is a Norwegian-Jamaican performer and choreographer based in Oslo, Norway. Harald’s choreographic practice are collaborative voyages, navigating through realms of ambiguity and phantasm, punctuated by themes of construction and deconstruction, hope and uncertainty, disinterest and emotional intensity. They hold a special interest for the DIY and vulnerability of being in the unknown. In a quest to dissect established corporeal and bodily narratives their work celebrates a spectrum of embodiment—ranging from the pathetic to the ecstatic, the collapsing to the exuberant, the faltering to the tenacious while fostering a deliberate naiveté and queer playfulness. Haralds focus is being with local people, local ideas, and developing ideas with and within the community.
In 2023 Batty Bwoy won the Hedda prize for “best dance production”.
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Event Venue & Nearby Stays
Franciska Clausens Plads 27, 1799 Copenhagen, Denmark, Franciska Clausen Plads 27, 1799 København V, Danmark,Copenhagen, Frederiksberg, Denmark
