About this Event
In 1877, in England, Walter Pater wrote in his essay ‘The School of Giorgione’ that a new age of art was dawning, one based on the model of music. His famous phrase was coined: ‘all art constantly aspires towards the condition of music’. In the very same year, in America, the inventor Thomas Edison demonstrated a new device, the phonograph, that would change the ‘condition’ of music in ways unimaginable to Pater. This talk addresses the new (modern) age, the condition of music, and the aspiration it supported to artistic abstraction. But what happens when we consider this, not through the example of European concert music (as is so often assumed), but through the musical form that grew up alongside Edison’s phonograph, African-American jazz? What does this alternative paradigm tell us about the ‘condition’ of modernist artistic production?
This lecture is presented by Professor Simon Shaw-Miller with an introduction by Dr Peter Dent, Head of the History of Art Department at the University of Bristol, who will also moderate the Q&A with the audience.
The Autumn Art Lecture series is hosted by the University of Bristol's Faculty of Arts with support from the Centre for Black Humanities and Bristol Ideas.
About the speaker
Simon Shaw-Miller is Emeritus Chair of History of Art at the University of Bristol. He is also an Honorary Associate of the Royal Academy of Music, a Fellow of the Royal Society of Arts, and of the Higher Education Academy. His research interests are interdisciplinary, focused on concepts of visual music, sound art, musical iconography, synaesthesia, musical ekphrasis, and the aesthetics of the Gesamtkunstwerk. He has written on art and music from Richard Wagner to John Cage, from Samuel Palmer to Ralph Vaughan Williams, from Louis Armstrong to Marcel Duchamp and from Greek mythology to Walt Disney.
Event Venue & Nearby Stays
Reception Room, Wills Memorial Building, Wills Memorial Building, Bristol, United Kingdom
GBP 0.00