Name: Augenmas, beepblip: Memodrom
Start: 2024-09-26T17:30:00+02:00
Location: Breg 1, spomenik Ivana Hribarja

zvočni sprehod, 60 min
četrtek, 26. 9., 17.30
sobota, 28. 9., 17.30
spomenik Ivana Hribarja, Breg 1, Ljubljana
🇬🇧 EN below
Vabimo vas na premiero novega zvočnega sprehoda Memodrom, avtorjev beepblip in augenmas!
▶︎ PRIJAVA: https://pretix.eu/cona/topot2024/
Zvočni sprehod je namenjen publiki 15+ let.
Zvočni sprehod Memodrom je kompost spominov najlepšega mesta na svetu. Sprehaja vas – brez predhodne najave – po spominski spirali, v kateri je mesto ob reki labirint in zvok sprožilec situacij, ki jim je izhodišče pozaba.
Memodrom vzpostavlja vzporedno doživljanje mesta, v katerem javna infrastruktura ni nosilec funkcij v prostoru. Obstaja zgolj kot kulisa za dogajanje v zvočnem prostoru. Namesto potopitvene ustvarjamo izstopitveno izkušnjo. Memodrom malikuje vašo pravico do pozabe.
V manj kot eni uri vas izpostavi zvočnim spominom generacij, ki so Ljubljano doživljale s pomočjo starejših nosilcev zvoka. Z ‘datotečnim’ načinom reprodukcije jih bomo skupaj priklicali v spomin. Od zimzelenih glasbenih hitov, javnih osebnosti, ki so jih ključniki zaobšli, do domnevno najbolj invazivnih prebivalcev mesta.
Želite tudi vi odložiti katerega od svojih spominov? Memodrom čaka na vaš klic.
● Augenmas [Dare Pejić] je nepoklicni avtor, pisec besedil in producent. Njegovo prvo avtorsko delo, radijska igra Action+drama, je bilo izbrano za najboljšo radijsko igro na Radiu Študent. Z občasnimi izleti v zvočne eksperimente (kot član zvočnega kolektiva Theremidi Orchestra) ter kratki karieri selektorja glasbe je ostal zvest mediju teksta v najrazličnejših žanrih. Njegovo zanimanje za zvočne sprehode se napaja iz medijske arheologije.
● beepblip [Ida Hiršenfelder] je zvočna umetnica in arhivistka, ki živi in dela v Ljubljani. Komponira potopitvene psihogeografske zvočne krajine z uporabo analogne elektronike, naredi-sama modularnih sintetizatorjev zvoka, terenskih posnetkov in računalniške manipulacije. Zanima jo bioakustika, eksperimentalna glasba in zvočno prostorjenje. Bila je članica zvočnega kolektiva Theremidi Orchestra (2011–2017), trenutno pa je članica skupine Jata C, ki raziskuje bioakustiko in zvočne ekologije. Študirala je sonologijo na Kraljevem konservatoriju v Haagu.
🇬🇧 English
soundwalk, 60 min
Thursday, 26 Sep, 17:30
Saturday, 28 Sep, 17:30
Ivan Hribar statue, Breg 1, Ljubljana
▶︎ APPLY: https://pretix.eu/cona/topot2024/ (soundwalk in Slovene, summary available in English)
The soundwalk is intended for audiences 15+.
The Memodrom soundwalk is a compost of memories of the most beautiful city in the world. It unexpectedly guides you through a spiral of memory in which the city by the river becomes a labyrinth, and sound triggers situations that surface from oblivion.
Memodrom creates a parallel experience of the city in which public infrastructure does not serve as functional space. It merely exists only as a backdrop for the actions within the sound space. Instead of an immersive experience, we create an emersive experience. Memodrom idolises your right to forget.
In less than an hour, it exposes you to the sonic memories of generations who have experienced Ljubljana through older sound carriers. Using the “file” reproduction method, we will collectively revive these memories – from evergreen music hits to public figures overlooked by history to the city’s supposedly most invasive inhabitants.
Would you like to set aside one of your memories, too? Memodrom awaits your call.
● Augenmas [Dare Pejić] is a non-professional author, lyricist, and producer. Action+drama, his first original work, was selected as the best radio play on Radio Študent. With occasional forays into sound experimentation (as a member of the sound collective Theremidi Orchestra) and a short career as a music selector, he has remained faithful to the medium of text in various genres. His interest in soundwalks draws from media archaeology.
● beepblip [Ida Hiršenfelder] is a sound artist and archivist. She makes immersive bleepy psychogeographical soundscapes with analogue electronics, DIY and modular synths, field recordings and computer manipulations. She is interested in bioacoustics, experimental music and sound spatialisation. She was a member of the Theremidi Orchestra (2011–2017) and is currently a member of the Jata C group for bioacoustics and sound ecologies. She studied Sonology at the Royal Conservatory in The Hague.