ATTICA (1974) and I AM SOMEBODY (1970)

Fri Oct 04 2024 at 07:00 pm to 09:30 pm UTC-05:00

Block Museum of Art, Northwestern University | Evanston

The Block Museum of Art
Publisher/HostThe Block Museum of Art
ATTICA (1974) and I AM SOMEBODY (1970)
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Two landmark political documentaries from the 1970s, screened in restored 16mm prints.
About this Event
ATTICA (1974) and I AM SOMEBODY (1970)

(Multiple artists, 1970–1974, 16mm, approx 110 min)


Showing together in a nod to their original pairing in the Films by Women/Chicago ‘74 lineup, I AM SOMEBODY (1970) and ATTICA (1974) create a formidable showcase of political documentary helmed by women filmmakers on the frontlines of the American labor rights and abolitionist movements. 

Madeline Anderson’s classic documentary, I AM SOMEBODY, portrays the fight for unionization, better pay, and fairer treatment led by 400 Black female hospital workers in Charleston, South Carolina in 1969, and the hostile response of the police. Through newsreel-like footage, essayistic montage, and narration that centers Black female subjectivity, Anderson delivers a portrait of courage and political awareness unlike anything else of its time. A trailblazer in many respects, Anderson is known as the first African-American documentarian (INTEGRATION REPORT 1) who soon also became the first Black woman to join the film editor’s union in New York (an achievement gained while working on Shirley Clarke’s THE COOL WORLD, also showing in the FBW/’74 series).

Another milestone in non-fiction filmmaking, Cinda Firestone’s ATTICA details the historic Pr*son rebellion that broke out in the Attica Correctional Facility in Upstate New York in 1971. After months of protesting inhumane treatment, prisoners took 35 hostages and seized control of the Pr*son’s D-yard, organizing it as a liberated zone for their community to restructure. Firestone’s film documents the uprising with revelatory footage from within D-yard and investigates the violent suppression that ensued in the following days, revealing the injustices of the carceral system. Both Anderson and Firestone’s films are essential historical documents and vital cinematic works of collective action and emancipatory struggle.


Program includes:

I AM SOMEBODY (1970, 30 min, USA, 16mm) Madeline Anderson

“I looked at these women like they were my sisters because I’d had the same experience of gender, race, and politics that they were having. When national and international attention was focused on these women, it was my story. There was no way that I was not going to make that film.” --Madeline Anderson


ATTICA (1974, 80 min, USA, 16mm) Cinda Firestone

“I would like this film to make people wonder about the whole institution of prisons and, taking that a step further, wonder about a society that can create things like Attica.” --Cinda Firestone


Total run time: approx. 110 min

ATTICA has been preserved by the Reserve Film and Video Collection of The New York Public Library with funding from the Women’s Film Preservation Fund of New York Women in Film and Television. Courtesy of Cinda Firestone and the New York Public Library.

I AM SOMEBODY has been preserved by the Reserve Film and Video Collection of The New York Public Library with funding from the Carnegie Corporation of New York. Courtesy of Icarus Films and the New York Public Library.

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Event Venue & Nearby Stays

Block Museum of Art, Northwestern University, 40 Arts Circle Drive, Evanston, United States

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