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๐๐ฟ๐๐ฆ๐ฐ๐ถ๐ฒ๐ป๐ฐ๐ฒ ๐๐ป๐ฐ๐ผ๐๐ป๐๐ฒ๐ฟ๐: ๐ง๐ต๐ฒ ๐ฆ๐ฝ๐ฎ๐ฐ๐ฒ ๐ฅ๐ฒ๐บ๐ฒ๐บ๐ฏ๐ฒ๐ฟ๐ ๐ฌ๐ผ๐ ๐ฏ๐ ๐ฆ๐๐ฎ๐ณ๐ถ๐พ ๐๐ฎ๐น๐ถ๐ฑ ๐๐ถ๐๐ต ๐ก๐ผ๐ฟ๐ต๐ฎ๐ถ๐๐ฎ๐ฑ ๐๐ฑ๐ฎ๐บ๐ ๐ญ๐ฑ ๐ก๐ผ๐ ๐ฎ๐ฌ๐ฎ๐ฑ (๐ฆ๐ฎ๐), ๐ด๐ฝ๐บ โ ๐ด.๐ฐ๐ฑ๐ฝ๐บ
๐ ๐๐ฎ๐น๐น๐ฒ๐ฟ๐ ๐ฌ, ๐๐ฒ๐๐ฒ๐น ๐ฏ
๐๏ธ ๐ง๐ถ๐ฐ๐ธ๐ฒ๐๐ฒ๐ฑ ๐๐ฑ๐บ๐ถ๐๐๐ถ๐ผ๐ป: $๐ฑ
For one night only, sound and movement converge in a living ceremony. In this collaborative performance, sound artist Syafiq Halid activates his 14-channel installation in Another World Is Possible exhibition with the presence of dance artist Norhaizad Adam, extending his sonic philosophy into the moving body.
Loops, fragments and resonances become more than music. They are rituals of return. Norhaizadโs gestures call forth arrivals and departures, presences and absences, summoning the unseen energies that linger within the space. Together, the artists craft an encounter with inheritance and care: datang tempat orang, beradap dan hormat. jaga diri โ to enter anotherโs place with respect, care and awareness.
The performance invites us into a shared ritual where sound becomes ceremony, memory becomes movement, and the space itself seems to remember us. A celebration and a listening, a marking and a gathering, The Space Remembers You opens a moment in which past and future inhabit the present, where we are called to witness, honour and enter gently into anotherโs world.
Presented as part of Soundworks from Worlds Not Yet Born, a programme within Futures Festival: Worlds in the Making that explores memory, speculation and the futures emerging through sound.
๐๐ฏ๐ผ๐๐ ๐๐ต๐ฒ ๐๐ฟ๐๐ถ๐๐๐
๐ฆ๐๐ฎ๐ณ๐ถ๐พ ๐๐ฎ๐น๐ถ๐ฑ is a sound artist, experimental percussionist and electronic musician whose practice traverses the intersections of tradition and contemporary experimentation. His work spans multidisciplinary collaborations as performer, composer and sound designer, presented across platforms including the Esplanade, National Gallery Singapore, ArtScience Museum, Singapore Art Museum, Nusasonic, Goethe-Institut, *SCAPE and Bus Projects, as well as projects in Singapore, Malaysia, Indonesia, Vietnam and Australia.
Drawing on the sounds, aesthetics, metaphors and experiences of the Malay world, Syafiq deconstructs, reimagines and reassembles them into an experimental sonic language rooted in Southeast Asia. His explorations speak to the complexities of living and being Malay in the region, compelling audiences to confront how cultural memory, heritage and identity are continually negotiated through sound.
๐ก๐ผ๐ฟ๐ต๐ฎ๐ถ๐๐ฎ๐ฑ ๐๐ฑ๐ฎ๐บ is a Singaporean dance artist and performance maker. Trained in Malay folk dance, he has developed a post-dance practice that interrogates how nationalism and traditionalism shape the Malay body. His works blur the rules and transmission of Malay folk forms, subverting dominant frameworks through which minority identity is constructed and sustained.
Norhaizad is the Artistic Director of P7:1SMA Ltd, where he continues to expand the possibilities of performance as a site of cultural resistance, embodiment and reimagination.
๐๐ฏ๐ผ๐๐ ๐ฆ๐ผ๐๐ป๐ฑ๐๐ผ๐ฟ๐ธ๐ ๐ณ๐ผ๐ฟ ๐ช๐ผ๐ฟ๐น๐ฑ๐ ๐ก๐ผ๐ ๐ฌ๐ฒ๐ ๐๐ผ๐ฟ๐ป
What kind of futures become possible when sound is treated as a medium of memory, transformation and ontological speculation?
Soundworks for Worlds Not Yet Born invites us to listen closely, curiously and with the imagination wide open. Across installations and live activations, the programme explores sound and music as portals into speculative futures that emerge from memory, myth and dream. In this programme, sound is not merely heard but inhabited. It reverberates with ancestral knowledge, unsettles linear time, and opens space for alternative worlds to take root.
Through reimagined traditions, ambient architectures and sonic fictions, artists use sound to dissolve boundaries โ between past and future, self and other, centre and margin. The works do not offer destinations. Instead, they tune us to shifting frequencies of becoming.
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Event Venue & Nearby Stays
ArtScience Museum, 10 Bayfront Avenue,Singapore
Tickets
Concerts, fests, parties, meetups - all the happenings, one place.











