Anjimile w/ Christelle Bofale at PhilaMOCA

Tue Oct 12 2021 at 07:30 pm to 11:00 pm UTC-04:00

PhilaMOCA | Philadelphia

PhilaMOCA
Publisher/HostPhilaMOCA
Anjimile w\/ Christelle Bofale at PhilaMOCA Get tickets: https://bit.ly/3zQw7bm
ANJIMILE
If each song on Anjimile Chithambo’s introspective 2020 debut, Giver Taker, was its own self- contained micro-journey of grief, hope, and identity, then their subsequent orchestral Reunion is fitting as a homecoming. It’s almost an extension, or sequel, to the ideas of rebirth Chithambo began excavating last year—a simultaneous resettling into, and reimagining of, their songwriting.
Reunion features airy, emotive string compositions from the Los Angeles-based musician and composer Daniel Hart, known for his work with bands like Polyphonic Spree and St. Vincent, as well as his film scoring work for Pete’s Dragon and A Ghost Story. Here, Anjimile’s songs are built out with violins and guest vocalists. Fellow indie musicians Jay Som, SASAMI, and Lomelda lend their voices to the three tracks, which also feature the same backing vocals from major Giver Taker collaborator Justine Bowe of Photocomfort. The framework of Anjimile’s pastoral, compelling songs blooms into something cinematic and swelling on this EP, a loving and hopeful tangle of discovery.
Chithambo was struck by the new interpretations of his songwriting, the way they resonated with him, and the feeling of hearing a truthful translation of your own words through someone else’s delivery. He explains of his collaborators: “Their sensitive and thoughtful interpretations of these songs give me the feeling that we’re connected, and that we know each other on a deeper level - the same internal place from which music moves us all.”
Jay Som’s “In Your Eyes (Reflection)” feels like looking into a mirror, and the sensation of truly being seen for what you are by another person. It’s the original song taken and gently shifted to her point of view. “Maker (Refraction),” as handled by SASAMI, skews psychedelic, a tangle of phased-out vocals and disorientingly beautiful harmonies; she takes Anjimile’s songwriting and refracts it through her own artistic lens. And Lomelda’s “1978 (Reunion)” is strikingly tender. For Anjimile, Lomelda’s take feels like the original song being brought to its purest essence of sweet, sad hopefulness - which rings through in Lomelda’s singing like the clearest bell.
It also speaks to the striking honesty of Chithambo’s lyrics and songwriting, and its ability to resonate so deeply, regardless of form. Even when sung from a different mouth and made anew, the music is still distinctly Chithambo’s voice.
For Chithambo, hearing their songs anew felt like some sort of metaphysical reunion between themself and SASAMI, Jay Som, and Lomelda. The EP also marks a reunion for Chithambo and their beloved label, Father/Daughter, as well as the reunion with their close friend and collaborator Bowe, while binding together songs from Giver Taker in a new form.
“I think of reunions as something either explicitly celebratory: family reunion, holiday, wedding, a joyful event—or something explicitly elegiac, like a funeral or memorial,” Chithambo explains. “I feel like this dichotomy is a subtle nod to the dichotomy of human existence & human emotionality that Giver Taker suggests.”

CHRISTELLE BOFALE
Austin, Texas-based songwriter Christelle Bofale will be the first to tell you the importance of family roots and mental health, considering how much those things aided her own self-discovery. Being the first American born in her family, the rich heritage of the Congo is deeply rooted in her upbringing and relationship with sounds. From singing and dancing with her mother as a child, to praying to Congolese music with her grandmother, to her father, a soukous guitar player and musical director for the Congregation at his church, Bofale’s journey as a musician has been defined in tiny intervals throughout the course of her life. As a songwriter, she infuses hints of the Congo into various aspects of her music, bridging the musical influences of the diaspora with juxtaposed elements of indie rock, soul and jazz respectively.
Weightless guitar tangents and lush, aquatic soundscapes are a vital part of what embodies Swim Team, her debut EP that serves a powerful introduction to Bofale’s budding artistry. Somewhere between influences like Joni Mitchell and Alex G, Bofale has found a sweet spot for her sound that lives between both harsh and gentle terrain, achieving a relaxing, yet rugged tonality. Each track pictured on Swim Team is brushed vividly with colors that illuminate the fear of being honest and doing that much needed personal work. Bofale's earnest and bravery is a snapshot of black mental health and the nuance it carries. Being real isn’t easy, but it’s crucial in cultivating spaces for healthy discussion and giving other black women like Bofale a platform to do the same.

Event Venue & Nearby Stays

PhilaMOCA, 531 N 12th St, Philadelphia, PA 19123, Philadelphia, United States

Tickets

USD 15

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