About this Event
Join us for a special joint collaboration between Birchbark Books and The Institute of American Indian Arts as they bring together three phenominal authors for an evening of wonderful, inspiring and insightful conversation.
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Pam Houston is the author of the memoir Deep Creek: Finding Hope In The High Country, as well as two novels, Contents May Have Shifted and Sight Hound, two collections of short stories, Cowboys Are My Weakness and Waltzing the Cat, and a collection of essays, A Little More About Me, as well as a book of essay between Pam and environmental activist Amy Irvine, called Air Mail: Letters of Politics, Pandemics and Place. Her stories have been selected for volumes of The O. Henry Awards, The Pushcart Prize, Best American Travel Writing, and Best American Short Stories of the Century among other anthologies. She is the winner of the Western States Book Award, the WILLA Award for contemporary fiction, the Evil Companions Literary Award and several teaching awards. She teaches in the Low Rez MFA program at the Institute of American Indian Arts, is Professor of English at UC Davis, and co-founder and creative director of the literary nonprofit Writing By Writers, which puts on between seven and ten writers gatherings per year in places as diverse as Boulder, Colorado, Tomales Bay, California and Chamonix, France.
Pam’s passions include Icelandic Horses (especially the ones who live in Iceland, where she goes as often as possible,) Irish Wolfhounds, travel, mentoring and teaching, particularly teaching writing about the more than the human world. She lives on a homestead at 9,000 feet near the headwaters of the Rio Grande in Colorado with her husband Mike and two dogs, a quarter horse, a miniature donkey, four Icelandic ewes, four hens and a rooster. Her forthcoming book, Without Exception: Reclaiming Abortion, Personhood and Freedom, will be published in September 2024.
Mona Susan Power is the author of four books of fiction, including The Grass Dancer (a National Bestseller awarded a PEN/Hemingway Prize), Roofwalker (a collection of stories and essays awarded the Milkweed National Fiction Prize), Sacred Wilderness (a novel which received the Electa Quinney Award), and A Council of Dolls (winner of the Minnesota Book Award and High Plains Book Award, longlisted for the National Book Award and the Carol Shields Prize). She's a graduate of Harvard College, Harvard Law School, and the Iowa Writers' Workshop. She is also the recipient of several grants in support of her writing which include an Iowa Arts Fellowship, James Michener Fellowship, Radcliffe Bunting Institute Fellowship, Princeton Hodder Fellowship, USA Artists Fellowship, McKnight Fellowship, and Native Arts and Cultures Foundation Fellowship. Her short stories and essays have appeared in numerous publications and anthologies including The Best American Short Stories series, The Atlantic Monthly, The Paris Review, The Missouri Review, Ploughshares, and Granta.
Mona is an enrolled member of the Standing Rock Sioux Tribe (Iháŋktȟuŋwaŋna Dakhóta), born and raised in Chicago. During her childhood she was a member of the Chicago Indian Village movement, a group organized to protest the conditions of Native people lured to urban areas with promises of secure jobs and good housing, that seldom materialized. In 1979, a documentary following the experiences of this group was nominated for an Academy Award. Mona attended the Oscar ceremonies that year as a guest of the director, Jerry Aronson.
She currently lives in Minnesota, where she's working on other novels, including, The Year of Fury.
Deborah Jackson Taffa’s Whiskey Tender, a 2024 National Book Award Finalist, was also a 2025 Carnegie Medal for Excellence in Nonfiction longlisted title. Named one of 2024’s Top 10 books by The Atlantic, Audible, and Time Magazine, her debut was also included on best and notable lists at The New Yorker, Elle, Esquire, NPR, The Washington Post, Oprah Daily, and Publisher’s Weekly. The debut was an Amazon Editor’s Best Choice Book for the year as well. With awards and grants from the National Endowment for the Arts, PEN America, MacDowell, Hedgebrook, the Ellen Meloy Foundation, Tin House, A Public Space, the Kranzberg Arts, and the NY Summer Writers Institute, Deborah is currently working on her second story collection.
A citizen of the Quechan (Yuma) Nation and Laguna Pueblo, Deborah earned her MFA in Creative Writing at the University of Iowa in Iowa City. Prior to her job at IAIA, she taught Creative Nonfiction at Webster University and Washington University in Saint Louis. She also served as an Executive Board Member with the Missouri Humanities Council where she was instrumental in creating a Native American Heritage Program in the state.
Editor Emeritus at the literary magazine, River Styx, her writing can be found at The Rumpus, Boston Review, Los Angeles Review of Books, A Public Space, Salon, Huff Post, Prairie Schooner, The Best Travel Writing, The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction, The Best American Nonrequired Reading, and elsewhere. Her play, “Parents Weekend,” was performed at the Autry Theater’s 8th Annual Short Play Festival in LA.
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The Institute of American Indian Arts (formally known as the Institute of American Indian and Alaska Native Culture and Arts Development) is one of 37 tribal colleges in the United States. IAIA is accredited by the Higher Learning Commission (HLC) and is a member of the American Indian Higher Education Consortium (AIHEC).
Established as a high school in 1962 under the leadership of Lloyd Kiva New (Cherokee), Dr. George Boyce, and others, IAIA embodied a revolutionary approach to arts education. Now, sixty years later, we continue to fill a vital role as the only fine arts college in the world dedicated to the study of contemporary Native American and Alaskan Native arts.
Over the past six decades, IAIA’s influence on the art world has been monumental. “From the start of the Institute of American Indian Arts, students were encouraged to experiment,” says IAIA President Dr. Robert Martin (Cherokee Nation). “The boundaries were limitless. Our students were taught to develop their artistic style without being bound by tradition or history.” According to Dr. Martin, what makes IAIA a noteworthy institution is its student body, which enriches the campus community with its diversity, creativity, talents, and passion. “What I’ve admired most during my tenure here is observing the evolution of our students’ creativity and the ways in which they learn to take risks and manifest other leadership qualities while advancing their artistic expression.”
Event Venue & Nearby Stays
Birchbark Bizhiw, 1629 Hennepin Avenue, Minneapolis, United States
USD 0.00
